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NEANDERTHALS

THE EXPERIMENT

An often gripping tale of love and interplanetary survival.

Awards & Accolades

Our Verdict

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Two strangers find themselves trapped in a hostile environment and must work together to survive in Monier’s debut SF novel.

Omar wakes up to find himself on a strange island, and after fending off a pack of wolflike creatures, he meets Shadia, a woman in the same circumstances as he is in. At first, it seems like they’re the only people there, but they soon find themselves confronted with a choice by a group that’s keen to experiment on them: submit and stay in captivity for three years or attempt to flee and possibly die. They also find out that their captors are Neanderthals who, instead of going extinct on Earth, went to the stars and made a home for themselves on another planet. Omar and Shadia do their best to resist their captors and break for freedom, but soon they give in and accept their fate. Along the way, they grow closer, and what starts as an association full of friction turns to love as they rely on each other to stay alive. Throughout the book, they’re given different reasons for their capture, and the author makes it clear that divisions run as deeply in Neanderthal society as they do on Earth. Mixed in with the chapters set on an alien world is the story of Omar, in an Earth hospital, telling the tale of his ordeal. The book ends with a warning from the friendly Neanderthals. Monier’s greatest strength is his ability to write characters who remain sympathetic even as they show the reader the worst aspects of themselves. Although Omar and Shadia are both skilled in different areas—Shadia has useful medical knowledge, for example—neither of them are superhuman; they’re just regular people in an unusual and terrible situation, and the way that their relationship develops feels organic. They, and readers, learn limited and often contradictory information from their captors, as well, which reinforces their status as abductees.

An often gripping tale of love and interplanetary survival.

Pub Date: April 13, 2021

ISBN: 979-8-73-749866-5

Page Count: 282

Publisher: Self

Review Posted Online: May 20, 2021

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THE BIG DOOR PRIZE

An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.

When a photo booth–type machine in the grocery store starts spitting out predictions of people’s true callings, the residents of Deerfield, Louisiana, are deeply affected.

“In the way that aspiring novelists might like to imagine their work someday being discussed in a sophomore literature class…or the way philosophers like to chart the evolution of thought from Socrates to Plato to Jay-Z…Douglas also liked to imagine himself one day becoming part of some traceable lineage.” Douglas Hubbard, a happily married high school history teacher, has a fantasy of becoming a famous jazz trombone player. He’s even signed up for lessons. Unlike the other dreamers in his little town, he came up with this idea all by himself, on his 40th birthday. His wife and many of his neighbors, on the other hand, are carrying around little blue slips of paper produced by a machine called the DNAMIX. They say things like ROYALTY, CARPENTER, LOVER, and MAGICIAN, and because of them the school principal, the mayor, and many others in Deerfield are quitting their jobs, buying costumes, and planning major life changes. There’s something a little strange about Walsh’s follow-up to his remarkable first novel, My Sunshine Away (2015). On one hand, it has a warm, folksy, Fannie Flagg–type feeling, complete with John Prine references galore (the title is one) and a goofy touch of magic. On the other hand, like the author’s debut, it addresses very serious and disturbing issues. It opens with the death of a teenager, as experienced by his twin, and later adds intimations of a school shooting, a gang rape, and a terrible revenge plot. Both aspects are well handled, but do they really go together? When you get a bereaved dad dressed up in a ludicrous cowboy outfit intervening to rescue his son from being gunned down by the police you have to wonder.

An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.

Pub Date: Sept. 8, 2020

ISBN: 978-0-7352-1848-2

Page Count: 384

Publisher: Putnam

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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VINELAND

If the elusive Pynchon regularly cranked out novels, then this latest addition to his semi-classic oeuvre would be considered an excellent, if flawed, fiction, not as demanding and complex as Gravity's Rainbow, nor as neat and clever as The Crying of Lot 49 and V. As it is, coming 17 years since the last book, it's something of a disappointment.

Yes, it's compulsively funny, full of virtuoso riffs, and trenchant in its anarcho-libertarian social commentary. But there's a missing dimension in this tale of post-Sixties malaise—a sense of characters being more than an accumulation of goofy allusions and weird behavior. And all of its winding, conspiratorially digressive plot adds up to a final moment of apparently unintentional kitsch—a limp scene reuniting a girl and her dog. Built on flashbacks to the 60's, the story reenacts in 1984 the struggles that refuse to disappear. Not politics really, but the sense of solidarity and betrayal that marks both periods for the numerous characters that wander into this fictional vortex. At the center is Frenesi (Free and Easy) Gates, who's anything but. A red-diaper baby and radical film-maker during the rebellion-charged 60's, Frenesi sold her soul to a man in uniform, the quintessential Nixon-Reagan fascist, Brock Vond, a fed whose manic pursuit of lefties and dopers finds him abusing civil rights over three decades. He's motivated not just by innate evil, but by his obsession with Frenesi, whom he sets up as a sting-operation expert protected under the Witness Protection Program. Meanwhile, the venomous Vond sees to it that Frenesi's hippie husband, Zoyd Wheeler, and her daughter, Prairie, are "disappeared" to Vineland, the northern California town where L.A. counterculturalists lick their collective wounds among the redwoods, and bemoan "the heartless power of the scabland garrison state the green free America of their childhoods even then was turning into." Brilliant digressions on Californian left-wing history, the saga of The People's Republic of Rock and Roll, a Mob wedding, and the living dead known as the Thanatoids all come bathed in the clarity of Pynchon's eye-popping language.

Pynchon's latest should prove to the legions of contemporary scribbler-fakers that it isn't enough to reproduce pop-schlock on the page, it needs to be siphoned through the kind of imaginative genius on display everywhere here.

Pub Date: Feb. 1, 1990

ISBN: 0141180633

Page Count: 385

Publisher: Little, Brown

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: Jan. 15, 1990

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