A rich, entertaining compendium of thoughts on the Amish way of life.
An analysis of family life in Amish communities.
After being approached by her agent to write a romance novel set in Amish country, Miller (The Measure of Katie Calloway, 2011, etc.) set out to learn as much as she could about this private community of industrious people. She was particularly drawn to the children, who appeared well-fed, well-behaved, polite and happy. Over a period of years, she became friends with many Amish families and even managed to acquire an invitation to a young couple’s wedding, a rare experience for an “Englisch” person. Beyond their deep faith in God and the religious rules that govern their lives, Miller discovered many things in the Amish experience that appear lacking in the “Englisch” community. The Amish surround themselves with family, so grandparents and grandchildren intermingle on a daily basis. The elderly are not placed in nursing homes but are cared for by their sons and daughters and neighbors. Divorce is almost unheard of, which creates a stable environment for children, and children are taught from the toddler stage that everyone has chores to do to assist in daily life. They don’t drive, get an education beyond the eighth grade or own computers, but some use modern cellphones and computers as tools at work. Not all of life is work-related, as children play together with simple toys, and adolescents intermingle, but all learn from their older siblings and parents to take pride in cooking, gardening, farming and animal husbandry, and they are encouraged to work on projects that might bring them a little spending money. In this informal examination, Miller, with the assistance of Amish community member Stutzman (Hiking Through, 2012), not only provides a kaleidoscope of insight into the daily structure of Amish parenting, but she compares and contrasts it with “Englisch” parenting and offers ways to incorporate Amish methods into one’s own life.
A rich, entertaining compendium of thoughts on the Amish way of life.Pub Date: Feb. 3, 2015
ISBN: 978-1-4767-5340-9
Page Count: 336
Publisher: Howard Books/Simon & Schuster
Review Posted Online: Nov. 10, 2014
Kirkus Reviews Issue: Dec. 1, 2014
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
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