by Cyndi Lauper with Jancee Dunn ‧ RELEASE DATE: Sept. 18, 2012
A moving story of an American musical original.
With the assistance of Dunn (Why Is My Mother Getting a Tattoo?: And Other Questions I Wish I Never Had to Ask, 2009, etc.), Lauper tells her alternately harrowing, hopeful and hilarious life story.
The author left her home in Ozone Park, Queens, at age 17 to escape a sexually abusive stepfather and the limitations on life—especially for women—imposed by a hardscrabble working-class neighborhood and male-dominated family culture. “As a kid,” she writes, “I heard a lot of sad stories about women.” What followed was years of marginal existence, odd jobs (including a stint as a topless dancer) and very little money. Her life change in 1983, however, with the release of She’s So Unusual, which garnered four top-five hits and made Lauper an instant star. Other hits followed, including the anthemic True Colors (1986). Inevitably, her superstar aura faded, but her eclectic musical output did not. Throughout, she struggled to remain true to her artistic values. In the music industry, she was “surrounded by men,” most of whom were “trying to remake me…and I didn’t want to be remade.” Regardless, Lauper continued to release significant albums, ranging from pop to club music to standards to blues, all of it infused with her own musical vision and a penchant both for remembering the flawed beauty of Ozone Park (“I always felt I could find Shakespeare right in my neighborhood”) and a determined identification with outsiders—especially women and members of the GLBT community. This identification turned into activism as her True Colors Foundation has worked to help and protect GLBT youth and promote tolerance. Though not as literary, Lauper’s story echoes the hopes of a struggling artist portrayed in Patti Smith’s Just Kids.
A moving story of an American musical original.Pub Date: Sept. 18, 2012
ISBN: 978-1-4391-4785-6
Page Count: 352
Publisher: Atria
Review Posted Online: Aug. 12, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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