A daring cross between Dante and Isaac Asimov that, at its best, pays off handsomely.


OTMA 82--The First Day


Jusyp’s debut novel offers a trippy tour through an extraterrestrial afterlife.

Philip, Candace, Bongo and Clara, undergraduates at Canada’s York University, are driving out of town for some end-of-semester rest and relaxation. George and Ben are chess enthusiasts heading home after a tournament. When the two cars collide at an intersection on the outskirts of Toronto, four of the six passengers die, but George and Philip are catapulted to OTMA 82, an interstellar limbo for the seemingly departed who, as it turns out, aren’t quite dead. Jusyp’s ambitious novel grapples with the age-old question of what happens when we pass on, but it offers some wild new answers. It turns out that death frequently leads to resurrection—not only for humans but for sentient beings all over the universe. The afterlife is, first and foremost, a time of personal reflection, intellectual growth and eventually, final judgment. As the author leads readers on this idiosyncratic journey, he proves to be a skilled and inventive storyteller. This inventiveness, however, is both a strength and a weakness. The novel feels genuinely original: Every time readers feel Jusyp might be drifting toward cliché or convention, he veers off into new ideas. However, because his world is so totally new, he’s forced to load his book with back-breaking amounts of exposition. As a result, chapters occasionally devolve into tedious Q-and-A sessions. Indeed, his characters constantly ask questions—sometimes of themselves, sometimes of the celestial emissaries that serve as their guides. “Was I in a mechanical body or device of some kind?” “[H]ow many of us from Earth are on OTMA 82 today?” “Are all of us on OTMA 82 supposed to be omniscient?” As the queries pile up, the plot slows to a crawl. When the pace picks back up, on the other hand, Jusyp’s novel is an enthralling ride.

A daring cross between Dante and Isaac Asimov that, at its best, pays off handsomely.

Pub Date: Nov. 10, 2011

ISBN: 978-1462021765

Page Count: 276

Publisher: iUniverse

Review Posted Online: Feb. 22, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.


In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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