One story. Two mice. Three cheers. Lots to love.
The deceptively simple counting story of two mice, their adventure, and friendship.
One morning in Ruzzier’s imaginative and colorful world, two mice wake to explore. The tiny window above the bed beckons: water, mountains, and sky are waiting for these two. Starting before the title and ending on the copyright page, minimal text says all that is needed: “One house / Two mice / Three cookies. / Three boats / Two oars / One rower. / One nest / Two eggs / Three ducklings.” New readers will soon notice the number pattern and slow down to see how the droll illustrations extend the story. For instance, the mouse with one cookie has an angry expression and a rather tightly curled tail, while the loose-tailed mouse looks gleeful as it chows down on two cookies. The sunny rowboat scene is not so sunny for the mouse who has to manage the two oars. By the time the two buddies return to their home, all is forgiven when the delicious soup is served. (And, in a visual nod to Sendak, it is clearly “still hot.”) The small trim size and careful attention to details give this book enormous appeal; the decorative floor tiles, ornamental feet on the kitchen table, and mismatched stools fit right in with the red hills and ever changing sky. The simplicity of the text means that the earliest readers will soon be able to pick it up and will return to it over and over.
One story. Two mice. Three cheers. Lots to love. (Picture book. 3-8)Pub Date: Sept. 1, 2015
ISBN: 978-0-544-30209-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts.
Ohtani, pitcher for the Los Angeles Dodgers, teams up with Blank and Liem to tell the story of how his dog, Decoy, threw out a ceremonial first pitch.
It’s a big day! Decoy leaps “off the bed. Then back onto the bed. Then off the bed.” The enthusiastic pup heads outside to practice with his lucky baseball but is quickly distracted by squirrels (“we’ll play later!”), airplanes (“flyin’ high!”), and flowers (“smell ya soon!”). Dog and pitcher then head to the ballpark. In the locker room, Decoy high-paws Shohei’s teammates. It’s nearly time! But as Shohei prepares to warm up, Decoy realizes that he’s forgotten something important: his lucky ball. Without it, there will be “no championships, no parades, and no hot dogs!” Back home he goes, returning just in time. With Shohei at the plate, Decoy runs from the mound to his owner, rolling the ball into Shohei’s mitt for a “Striiiiike!” Related from a dog’s point of view, Ohtani and Blank’s energetic text lends the tale a sense of urgency and suspense. Liem’s illustrations capture the excitement of the first day of baseball season and the joys of locker room camaraderie, as well as Shohei and Decoy’s mutual affection—even when the ball is drenched in slobber, Shohei’s love for his pet shines through, and clearly, Decoy is focused when it matters.
A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts. (Picture book. 5-7)Pub Date: Feb. 3, 2026
ISBN: 9780063460775
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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