A deeply meaningful collection that navigates important nuances of identity.
An anthology featuring Mexican American writers negotiating life in between cultures.
In an anthology that feels long overdue, Troncoso gathers 30 Mexican American writers to relate their accounts of what it means to be an American or, more often, what it means to not feel fully American. The anthology, which is divided into fiction, nonfiction, and poetry, contains mostly never-before-published works woven together by the common thread of “nepantla,” a Nahuatl word that means “mutual place” or the “in-between.” Alex Espinoza discusses being rejected due to his queerness, viewing his experience through the lens of machismo and alcoholism, two powerful forces that he notes often exist in tandem. In a short story, feminist poet ire’ne lara silva explores the concept of “crossing over” in Mexican culture, both literally (to the U.S.) and in the afterlife, while Octavio Quintanilla’s short poem conveys the fear of law enforcement that can often haunt immigrants long after they arrive in America as well as the constant threat of deportation. The liminal spaces in which these moving, sometimes heart-wrenching stories take place range from the geographical to the metaphysical. Often, the literal borders erected to keep out Mexican migrants become metaphors for a deeper struggle to find the meanings of us and them. Many of the writers express a frustration at being either “too Mexican” or “not Mexican enough." The rejection from both sides foments a desire to belong to something uniquely apart from either, giving birth to a diaspora that embraces the idea of existing in several worlds. “The either/or proposition that forces you to choose between your community and, say, your country has never been true,” Troncoso writes in the introduction. “The very skills we learn to cross borders within ourselves help us to cross borders toward others outside our community.” Other contributors include Sandra Cisneros, Reyna Grande, Francisco Cantú, and Stephanie Elizondo Griest.
A deeply meaningful collection that navigates important nuances of identity.Pub Date: April 2, 2021
ISBN: 978-1-62349-963-1
Page Count: 262
Publisher: Texas A&M Univ.
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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