by Seth Cohen ‧ RELEASE DATE: Jan. 12, 2015
The pleasingly escapist adventures of an ordinary dad and his friendly alien robot supercar; not as campy as it sounds.
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In Cohen’s SF novel, a corporate executive becomes a guardian of the planet Earth, assisted by a shape-shifting sentient robot who commonly takes the form of a snazzy Saab car.
Bob Foxen is a middle-aged New Jersey widower, father, and observant Jew whose lifelong career in corporate finance has brought him little personal or professional fulfillment, due to his ethical nature. His old buddy Eddiereveals an amazing secret: He is actually a “Sentinel” for the United Star Systems, ensuring Earth’s safety in a hostile universe. Eddie, needing a break, lets Bob take the wheel for a few days. The wheel in question belongs to Eddie’s partner, a jet-black Saab car, Saabrina. The vehicle is actually a transforming robot and transdimensional spaceship—virtually indestructible, powerfully weaponized, and equipped with a female personality. Bob’s first job for the USS is an alien diplomatic-trade mission. It succeeds (thanks to Bob's MBA training), and Bob earns permanent employment as a Sentinel—but Saabrina has had her AI heart broken before, when a previous Sentinel partner did not survive the perils of the job. In this series opener, the author wisely takes few cues from the fondly remembered but cheesy Knightridertalking-car television show of the 1980s and instead follows the road signs set by the BBC’s long-running Doctor Whoprogram, one of many SF reference points for the novel (like the doctor’s TARDIS craft, Saabrina is bigger on the inside than on the outside, with “epic trunk room”). Cohen’s aliens, imperial military men and aristocratic types, sometimes with purple skin and horns, have a British flavor (“Austin pronounces the name with a deep, authoritative voice, almost Shakespearian in its timbre. The English-like accent helps”). The hero’s ethnic identity provides some avenues of humor, though Cohen never goes the full Mel Brooks route. The action-packed climax is pure Marvel Cinematic Universe (another stated inspiration) spectacle.
The pleasingly escapist adventures of an ordinary dad and his friendly alien robot supercar; not as campy as it sounds.Pub Date: Jan. 12, 2015
ISBN: 9781519083111
Page Count: 330
Publisher: Independently Published
Review Posted Online: March 29, 2023
Review Program: Kirkus Indie
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by Ada Palmer ‧ RELEASE DATE: Oct. 19, 2021
Curiously compelling but not entirely satisfying.
The fourth and final volume in the Terra Ignota series, a science fantasy set on a 25th-century Earth where people affiliate by philosophy and interest instead of geography.
For the first time in centuries, the world is seized by war—once the combatants actually figure out how to fight one. While rivalries among the Hives provide several motives for conflict, primary among them is whether J.E.D.D. Mason, the heir to various political powers and apparently a god from another universe in human form, should assume absolute rule over the world and transform it for the better. Gathering any large group to further the progress of the war or the possibility for peace is hampered by the loss of the world transit system of flying cars and the global communications network, both shut down by parties unknown, indicating a hidden and dangerous faction manipulating the situation for its own ends. As events play out, they bear a strong resemblance to aspects of the Iliad and the Odyssey, suggesting the persistent influence of Bridger, a deceased child who was also probably a god. Is tragedy inevitable, or can the characters defy their apparent fates? This often intriguing but decidedly peculiar chimera of a story seems to have been a philosophical experiment, but it’s difficult to determine just what was being tested. The worldbuilding—part science, part magic—doesn’t really hold up under scrutiny, and the political structure defies comprehension. The global government consists of an oligarchy of people deeply and intimately connected by love and hate on a scale which surpasses the royal dynasties of old, and it includes convicted felons among their number. Perhaps the characters are intended as an outsized satiric comment on the way politicians embrace expediency over morality or personal feelings, but these supposedly morally advanced potentates commit so many perverse atrocities against one another it is difficult to engage with them as people. At times, they seem nearly as alien as J.E.D.D. Mason.
Curiously compelling but not entirely satisfying.Pub Date: Oct. 19, 2021
ISBN: 978-0-7653-7806-4
Page Count: 608
Publisher: Tor
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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by Andy Weir ‧ RELEASE DATE: Nov. 14, 2017
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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