Rich food for thought; perhaps not entirely digestible.

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SEVEN SURRENDERS

War and chaos loom in this conclusion to the story begun in Too Like the Lightning (2016), in which a child with godlike powers disrupts a supposedly serene future society built on Enlightenment principles.

In 2454, nations, called Hives, are no longer based upon geographical location but upon intellectual and philosophical alignment. This arrangement has worked so well that peace has reigned for 300 years, so long that no one would even know how to conduct a war if one were to break out. But a few decades ago, the Mardi family determined that war was inevitable, and that the later it came, the more devastating it would be, and so decided to incite the war themselves to minimize the damage. They were forestalled by our narrator, Mycroft Canner, who brutally murdered them to prevent that war from ever coming about. Unfortunately, his efforts seem to have been in vain; the last surviving Mardi has returned to Earth to continue his family’s work. Public unrest rises at the revelation of some very unpleasant Hive government secrets (some of which were similarly intended to keep the peace at any price) and the machinations of Madame D’Arouet, a brilliant and politically connected brothel-keeper who uses sex and gender as weapons against a proudly gender-free society that is therefore defenseless against such ploys. And then there is Bridger, a child who can bring toys to life, who could save the world…or doom it. Sometimes the answers in a story are less satisfying than the intriguing questions posed by a preceding volume; readers' appreciation of the resolution here depends on whether they accept the author’s argument that humanity will always tend toward war. Palmer also hedges her bets by not tying up all the loose ends; she never explains the more supernatural elements of the plot and leaves the future of her world uncertain.

Rich food for thought; perhaps not entirely digestible.

Pub Date: March 7, 2017

ISBN: 978-0-7653-7802-6

Page Count: 400

Publisher: Tor

Review Posted Online: Dec. 26, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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