A purposefully digressive and storm-clouded narrative, appropriate for capturing a Syrian expatriate’s mood.
A Syrian woman reckons with personal illness in parallel with the destruction of her homeland.
Syria’s ongoing civil war provides the backdrop for Ujayli’s third novel (Persian Carpet, 2013, etc.) but doesn’t claim center stage; indeed, one theme of this globe-trotting, fatalistic tale is that catastrophes large and small lurk even if we escape a war zone. The narrator, Joumane Badran, is a Syrian native and humanitarian worker in her 30s living in Amman, Jordan, while her father and two sisters have remained in Syria, relating grim news of bombings and power plays by the “squalid archipelago of factions” there. Joumane herself witnesses the impact secondhand, monitoring a refugee camp in Jordan, but the bulk of the novel focuses on two more interior concerns: her budding relationship with Nasser al-Amireh, a climate expert, and a cancer diagnosis that leaves her fearing death, wracked from chemotherapy and radiation treatment. Or, in other words, she’s focused on love and mortality, and her narrative sinuously moves from moments of grace to calamity and tragedy, past and present. Tales of coincidence and harsh irony abound, as when Joumane recalls that she'd met her oncologist decades earlier on family trips to Italy and that he’d gotten his degree in time to monitor his stepfather’s death. That’s just one case in which Ujayli ties up plotlines with a jet-black bow, but for all its concern with mortality and entropy, there’s plenty of narrative and intellectual energy in the story, as when Joumane recalls her father’s travels (he witnessed the 1963 March on Washington) or her friends' and sisters’ love affairs, which are tinged with mythos (Pygmalion, pirates). “The final truth is that your body is your homeland and the greatest treason is for it to betray itself,” she writes, and the novel thoughtfully maps where self, family, and country intersect.
A purposefully digressive and storm-clouded narrative, appropriate for capturing a Syrian expatriate’s mood.Pub Date: March 5, 2019
ISBN: 978-1-62371-983-8
Page Count: 288
Publisher: Interlink
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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