The story is acceptable as a book about familial relationships and self-forgiveness, but it fails as the historical...

RUBY LEE AND ME

It’s 1969, and 12-year-old Sarah’s life is in turmoil.

Sarah is overcome with guilt after her sister is involved in an accident, and life in Shady Creek is turbulent as racial tensions peak. Everyone’s talking about integration, and Sarah fears it will affect her friendship with Ruby Lee, a stereotypically sassy, pushy black girl who lives nearby. Despite the title and setup, the story is more about sibling love and self-forgiveness than it is segregation and friendship. Unfortunately, the book introduces such subjects as the N-word (unarticulated on the page but clear in intent) and Emmett Till but keeps its treatment on the surface, failing to assertively wrestle with them. Sarah acknowledges that she’s been sheltered from racism and feels guilty that Ruby experiences it, but her feelings about segregation seem similarly superficial. Though she promises to remain Ruby’s friend after the schools integrate, the book ends before she can complete her commitment. The book also contains unlikely scenarios: Mrs. Smyre, the new black teacher, invites white students to touch her skin and hair, and after a racially motivated crime, a crowd of black and white bystanders sing “We Shall Overcome” together. Hitchcock’s intent is obvious, but these scenes do not paint a realistic portrait of the time period for young readers.

The story is acceptable as a book about familial relationships and self-forgiveness, but it fails as the historical narrative it purports to be. (Historical fiction. 9-12)

Pub Date: Jan. 5, 2016

ISBN: 978-0-545-78230-2

Page Count: 224

Publisher: Scholastic

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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Charming, poignant, and thoughtfully woven.

CLUES TO THE UNIVERSE

An aspiring scientist and a budding artist become friends and help each other with dream projects.

Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.

Charming, poignant, and thoughtfully woven. (Fiction. 9-12)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-300888-5

Page Count: 304

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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