The story is acceptable as a book about familial relationships and self-forgiveness, but it fails as the historical...

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RUBY LEE AND ME

It’s 1969, and 12-year-old Sarah’s life is in turmoil.

Sarah is overcome with guilt after her sister is involved in an accident, and life in Shady Creek is turbulent as racial tensions peak. Everyone’s talking about integration, and Sarah fears it will affect her friendship with Ruby Lee, a stereotypically sassy, pushy black girl who lives nearby. Despite the title and setup, the story is more about sibling love and self-forgiveness than it is segregation and friendship. Unfortunately, the book introduces such subjects as the N-word (unarticulated on the page but clear in intent) and Emmett Till but keeps its treatment on the surface, failing to assertively wrestle with them. Sarah acknowledges that she’s been sheltered from racism and feels guilty that Ruby experiences it, but her feelings about segregation seem similarly superficial. Though she promises to remain Ruby’s friend after the schools integrate, the book ends before she can complete her commitment. The book also contains unlikely scenarios: Mrs. Smyre, the new black teacher, invites white students to touch her skin and hair, and after a racially motivated crime, a crowd of black and white bystanders sing “We Shall Overcome” together. Hitchcock’s intent is obvious, but these scenes do not paint a realistic portrait of the time period for young readers.

The story is acceptable as a book about familial relationships and self-forgiveness, but it fails as the historical narrative it purports to be. (Historical fiction. 9-12)

Pub Date: Jan. 5, 2016

ISBN: 978-0-545-78230-2

Page Count: 224

Publisher: Scholastic

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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