Macy’s life lessons are realistic and illuminating; that she is deaf adds yet another dimension to an already powerful tale.
Macy, a deaf sixth-grader who attends a mainstream school with an interpreter, faces enormous challenges, as her mother will soon marry, necessitating a move to her new stepdad’s house.
Macy and her mother have always been a team of just two; adding Alan and his twin daughters is scary and distressing. Fortunately, Macy’s mom asks her to help their elderly next-door neighbor, Iris, aka “the rainbow goddess,” pack up her enormous collection of books in preparation for her—also unwelcome—move into assisted living. After a big fight with her BFF, Macy is deeply isolated, in need of a friend who can provide gentle, uncritical guidance. Although Iris, tenderly portrayed, initially doesn’t know any sign language, the pair communicates in writing that’s just as poetic as the free verse that Macy uses to relate her emerging story. The verse trails down the pages in narrow bands leaving plenty of white space. Even characters that are barely sketched emerge fully realized through the spare yet poignant narrative. With few racial markers beyond teacher Mr. Tanaka’s name and Iris’ blue eyes, the book appears to subscribe to the white default. When one twin endearingly makes the sign “sister” to Macy, it’s an affecting moment of deep promise.
Macy’s life lessons are realistic and illuminating; that she is deaf adds yet another dimension to an already powerful tale. (Fiction. 9-12)Pub Date: May 15, 2017
ISBN: 978-1-77278-033-8
Page Count: 240
Publisher: Pajama Press
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Falters in its oversimplified portrayal of a complicated region and people.
Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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