A persnickety house-mouse frets about the size of her burrow in this colorful beginning reader. Mildred and Sam inhabit a snug burrow that is just right for two tiny mice. When Mildred worries about the lack of room for guests, the two try out a sampling of habitats. The ever-practical Sam, who points out the inherent vulnerabilities of such abodes, quickly grounds Mildred’s flights of fancy regarding residing in the branches of a towering oak, floating on an oversized lily pad, and nestling in a rose thicket. Rather than move out, the pair decide to expand, adding deeper levels to their burrow. Mildred’s fantastical dreams persist, now involving the appearance of animated baby gourds that spring up from her garden and take over her little house. In the final chapter, Mildred embarks upon a frenzied fit of decorating. Collicott (Toestomper and the Caterpillars, 1999, etc.) slyly reveals the reason for Mildred’s fractiousness at tale’s end, with the arrival of her octuplets. The full-color illustrations are an engaging composite of bright colors and whimsical drawings that lend an immense visual appeal to the tale. While the length of the chapters and complexity of language is better suited for more assured readers, the fanciful themes and vibrant illustrations make this an enjoyable romp to share as a read aloud. (Easy reader. 5-8)
Pub Date: Jan. 1, 2003
ISBN: 0-06-026681-3
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
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BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
BOOK REVIEW
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