Well-researched and filled with adventure, romance, and lots of tension—this work of historical fiction has all the elements...

THE FORBIDDEN ORCHID

In this coming-of age tale set in 1861, Waller deftly straddles England and China and weaves in historical highlights of plant hunting, the opium trade, and environmental activism.

Eighteen-year-old Elodie Buchanan lives an uneventful life in a small English town. The eldest of 10 daughters, shrewd and responsible Elodie helps her mother care for her sisters and the household in her father’s absence. Mr. Buchanan, a plant hunter, travels for extended periods to faraway places. When Mr. Buchanan fails to deliver an extremely rare and valuable orchid to a client, the entire family is threatened. Elodie begs her father to return to China to fulfill his contract and secretly plots to help him. Defying all social conventions and personal fears, she stows away on the tea clipper her father is sailing on. Fortunately for Elodie, she survives the journey with both her life and chastity intact, thanks to Alexander Balashov, the captain’s adopted son. Elodie narrates in a formal, 19th-century voice that manages to be witty and smart without calling undue attention to itself. A pragmatic young woman, Elodie’s struggle with the uncomfortable weather and terrain is as convincingly rendered as the conflict between her growing love for Alex and loyalty to her family. Historical details, including the liberal prescription of morphine and Britain’s patriarchal economy, lend rich, textural background.

Well-researched and filled with adventure, romance, and lots of tension—this work of historical fiction has all the elements of an intriguing read. (Historical fiction. 12 & up)

Pub Date: Feb. 2, 2016

ISBN: 978-0-451-47411-7

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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