by Sharon Biggs Waller ‧ RELEASE DATE: Feb. 2, 2016
Well-researched and filled with adventure, romance, and lots of tension—this work of historical fiction has all the elements...
In this coming-of age tale set in 1861, Waller deftly straddles England and China and weaves in historical highlights of plant hunting, the opium trade, and environmental activism.
Eighteen-year-old Elodie Buchanan lives an uneventful life in a small English town. The eldest of 10 daughters, shrewd and responsible Elodie helps her mother care for her sisters and the household in her father’s absence. Mr. Buchanan, a plant hunter, travels for extended periods to faraway places. When Mr. Buchanan fails to deliver an extremely rare and valuable orchid to a client, the entire family is threatened. Elodie begs her father to return to China to fulfill his contract and secretly plots to help him. Defying all social conventions and personal fears, she stows away on the tea clipper her father is sailing on. Fortunately for Elodie, she survives the journey with both her life and chastity intact, thanks to Alexander Balashov, the captain’s adopted son. Elodie narrates in a formal, 19th-century voice that manages to be witty and smart without calling undue attention to itself. A pragmatic young woman, Elodie’s struggle with the uncomfortable weather and terrain is as convincingly rendered as the conflict between her growing love for Alex and loyalty to her family. Historical details, including the liberal prescription of morphine and Britain’s patriarchal economy, lend rich, textural background.
Well-researched and filled with adventure, romance, and lots of tension—this work of historical fiction has all the elements of an intriguing read. (Historical fiction. 12 & up)Pub Date: Feb. 2, 2016
ISBN: 978-0-451-47411-7
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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by Renée Watson ; illustrated by Bea Jackson
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by Renée Watson
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by Renée Watson ; illustrated by Ekua Holmes
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