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THE DIAMOND THIEF

From the Diamond Thief series , Vol. 1

Readers will happily strap in for the ride, if only to see where it takes them.

Romance, political skullduggery and fantastical inventions giddily complicate a jewel heist.

Sixteen year-old French circus performer Rémy Brunel, a daredevil trapeze artist (and accomplished thief) in Victorian London, is tasked with stealing the Darya-ye Noor, a gem of extraordinary size and beauty. Rémy—nimble, clever and uncannily lucky—pulls off the feat on her first visit to the gem’s exhibition in the Tower of London, thanks to elderly Lord Abernathy, who accidentally smashes the gem’s security case as he collapses to the floor. Rémy assumes she’s been efficient, but the gem she’s stolen is a fake, a revelation that launches her into a caper more complex and dangerous than any she’s undertaken before. She must navigate dangerous, filthy London, enter into an uneasy (yet increasingly affectionate) alliance with Thaddeus Rec, a police detective also suspected of stealing the jewel, and outwit wealthy villains armed with steampunk-y weapons. The whole affair often feels like an episode of Doctor Who: It’s filled with running and exhilarating physical danger, many quippy, colorful characters and even some titanium suits strongly reminiscent of Cybermen. This is no bad thing. The plot groans a bit under the weight of all the twists and piled-on characters, but, like Rémy, it sticks a fairly satisfying landing in the end.

Readers will happily strap in for the ride, if only to see where it takes them. (Steampunk. 12-16)

Pub Date: Oct. 1, 2014

ISBN: 978-1-63079-002-8

Page Count: 336

Publisher: Switch/Capstone

Review Posted Online: Aug. 5, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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ALL MY BESTS

An emotional story that beautifully encompasses many sensitive topics.

Two best friends must navigate changing relationships during their first year of high school.

Jack and Immie have been inseparable since they were 7. But as ninth grade begins, Jack becomes more focused on soccer, and Immie finds herself looking for answers about her biological father. She’s always believed he was just a sperm donor, but when her mom shares personalized CDs he made but won’t say more—“he deserves his privacy. This was the arrangement we agreed upon”—Immie realizes that isn’t entirely true. When Jack isn’t as supportive of her quest for answers as Immie has hoped, she feels the distance between them grow. At the same time, Elijah, a sophomore soccer player, steps into her life, and she’s left to navigate her growing feelings for both boys. While the supporting characters’ storylines feel more like vehicles for exploring the love triangle and various heavy social topics, the complex leads are well developed, particularly Jack, whose anxiety and panic attacks highlight the importance of mental health support for boys. Both Immie’s and Jack’s stories are fully explored: Part One is told through Immie’s first-person voice, Part Two through Jack’s, and Part Three follows both of them in the third person. Meiser examines real topics that affect many teens and tweens in a mindful and respectful way. Main characters are cued white.

An emotional story that beautifully encompasses many sensitive topics. (Fiction. 12-16)

Pub Date: Nov. 12, 2024

ISBN: 9781665948227

Page Count: 384

Publisher: Aladdin

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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GOLDEN BOY

A riveting fictional snapshot of one Tanzanian boy who makes himself matter.

Some call Habo a zeruzeru—a zero-zero—nothing. Others willingly pursue the riches his albino body parts will bring on the black market in Sullivan’s intense debut. 

With his white skin, shaky, blue, unfocused eyes and yellow hair, 13-year-old Habo fits nowhere in his chocolate-brown Tanzanian family—not with his brothers who shun him, nor even with his mother, who avoids his touch. Did this bad-luck child even cause his father to abandon him at his birth? Only Habo’s sister, Asu, protects and nurtures him. Poverty forces the family from their rural home near Arusha to Mwanza, hundreds of miles away, to stay with relatives. After their bus fare runs out, they hitch a ride across the Serengeti with an ivory poacher who sees opportunity in Habo. Forced to flee for his life, the boy eventually becomes an apprentice to Kweli, a wise, blind carver in urban Dar es Salaam. The stark contrasts Habo experiences on his physical journey to safety and his emotional journey to self-awareness bring his growth into sharp relief while informing readers of a social ill still prevalent in East Africa. Thankfully for readers as well as Habo, the blind man’s appreciation challenges Habo to prove that he is worth more alive than dead. His present-tense narration is keenly perceptive and eschews self-pity.

A riveting fictional snapshot of one Tanzanian boy who makes himself matter. (Fiction. 12-16)

Pub Date: June 27, 2013

ISBN: 978-0-399-16112-4

Page Count: 368

Publisher: Putnam

Review Posted Online: March 26, 2013

Kirkus Reviews Issue: April 15, 2013

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