Steampunk fans will enjoy the action-packed, takes-itself-seriously silliness



From the Diamond Thief series , Vol. 2

A former jewel thief acrobatically attempts to rescue an entire circus while one corner of her love triangle chases her down in a ruby-powered airship and villains build evil mechanical armies.

A French circus performer and wanted criminal, Rémy has gone straight since her previous steampunk adventures (The Diamond Thief, 2014). Instead of stealing jewels, she makes a living as a wire-walker on the London stage (spicing up her life by rescuing the gentry from highwaymen, all while wearing a painted mask and a visible corset). She's happy enough living with her best friend, a guttersnipe engineer who blends the faux-Cockney of Bert from Mary Poppins with an ahistorical touch of vaudeville. When Rémy's tentative suitor, a handsome teenage policeman, doubts her reformation (mind-reading gem powers aren't all they're cracked up to be when they let a girl know her love's not-always-supportive thoughts), she flounces off to France in a rage. But not a one of her old circus friends is truly the person Rémy thought she knew: Some are villains, while others are storybook victims. The usual larger-than-life steampunk fare (automaton armies, airships, goggles and corsets) sits alongside magic jewels that enable telepathy or produce lighter-than-air gas. And of course, there are plenty of secrets held in reserve for the next book, promising revelations both personal and epic in scale.

Steampunk fans will enjoy the action-packed, takes-itself-seriously silliness . (Steampunk. 12-16)

Pub Date: Feb. 1, 2015

ISBN: 978-1-63079-004-2

Page Count: 496

Publisher: Switch/Capstone

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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Skip this uninspired entry into the world of medieval love and court intrigue.


From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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Heartbreaking, historical, and a little bit hopeful.

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January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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