The best examination of political and moral issues within the framework of family life since Jane Smiley’s A Thousand Acres...
The author of the odd, haunting What Happened to Henry (2004) does even better in her powerful second novel about the inescapable consequences of war and lies.
Narrator Iris Sunnaret initially depicts her childhood with adoptive parents Eleanor and Charlie Jackson as secure and idyllic, complete with patriotic Fourth of July barbecues. But then her brothers go to serve in Vietnam in 1968, and word comes that Eddie is dead and Perry is missing. Older sister Angie, enraged that Charlie and Eleanor allowed the boys to enlist, starts an affair with their son Hank (raised as a brother to the four Sunnarets) and gets involved with radical groups protesting the war—anathema to Charlie, who served with the Sunnarets’ father in the early days of the Indochinese conflict and has always run his household along strict, military-influenced lines of order. “Everybody had his place,” remembers Hank in one of the novel’s most chilling scenes, explaining why Iris’s father had killed the children’s dog while home on one of his infrequent visits from the Far East. Girls rank above dogs but below boys and men; where grown women fit in is unclear, but the gradually emerging facts about the death of Iris’s mother suggest that being the wife of a warrior was intolerable for her. Angie had protected baby Iris from their mother’s increasing mental instability, and as her illusions about the past drop away, Iris struggles to reconcile the embittered adult sister who frightens her with the aunt and uncle whose complicity with evil she now recognizes but whose love she cannot reject. There are no easy answers in Pywell’s rich narrative, which seems to offer Shakespearean serenity in the final scene (another Fourth of July party), then slaps readers in the face with a brutal reminder of the cost at which this serenity was achieved.
The best examination of political and moral issues within the framework of family life since Jane Smiley’s A Thousand Acres (1991). Pywell has a gift for capturing the complexity of sibling relationships that is all her own.Pub Date: April 20, 2006
ISBN: 0-399-15350-0
Page Count: 336
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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