Fans will blissfully revel in the intimate if restlessly delivered details in this perceptive memoir.
The celebrated actor reflects on a life of success, activism, and cleansing self-discovery.
Stone (b. 1958) begins in the hospital in 2001, when a severe brain injury nearly ended her life. She then backtracks to her youth growing up with three siblings in the “snowbelt” of northwestern Pennsylvania. She excelled at school but distanced herself from an aloof, damaged mother, a woman who never had a chance “to imagine a life where she could be whatever she chose.” As a teenager, Stone waited tables while entering local beauty pageants, which led to Manhattan modeling jobs and a move to Hollywood in the early 1980s. The author breaks down her iconic roles in Basic Instinct and Casino. Regarding the controversial interrogation scene in the former, she writes, “there have been many points of view…but since I’m the one with the vagina in question, let me say: the other points of view are bullshit.” While sharing a host of madcap episodes throughout an eventful life, she also proudly describes her impressive “life of service,” her Buddhist faith, and the adoptions of three sons. She also contributes juicier stories about co-hosting the 2008 Cannes Film Festival with Madonna and the controversy that erupted following a stray comment to reporters. Stone then moves on to her “second life,” when she endured “the loss of all things we call dear,” including her father, marriage, health, and financial security. Though the memoir is unevenly, frenetically narrated, that will only deter readers unfamiliar with Stone’s persona. Delivering a barrage of self-reflective anecdotes, she is consistently candid, alternatingly tender and feisty, and always witty. In conclusion, Stone offers thoughts on wisdom, modesty, and vulnerability as well as some startling admissions about “being sexually abused throughout my life.” Encouragingly, Stone has reconciled with her mother. “Today,” she writes, “my mother and I are at the beginning of our relationship.”
Fans will blissfully revel in the intimate if restlessly delivered details in this perceptive memoir.Pub Date: March 30, 2021
ISBN: 978-0-525-65676-0
Page Count: 256
Publisher: Knopf
Review Posted Online: March 20, 2021
Kirkus Reviews Issue: April 1, 2021
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
