Indefatigable journalism supporting a case that has become so politicized that facts assume secondary importance.
An angry investigation into the source of Covid-19 that will captivate readers who retain the ability to be captivated by this seemingly interminable pandemic.
Award-winning Australian journalist Markson has devoted two years to massive research, and although many details are now public, she tells a dismaying story. In late 2019, a nasty viral pneumonia appeared in Wuhan. This was no secret to local doctors and journalists, whose reports (and many journalists themselves) quickly vanished. Only at the end of the year did the Chinese government reveal the existence of a widespread epidemic, but they added that the disease was not contagious and well under control. Many books recount the consequences of this fabrication, but Markson focuses on how the pandemic originated. Two facts stand out. First, according to scientists, Covid-19 began in a meat market in Wuhan. No local evidence exists because authorities closed and sterilized it. Second, Wuhan contains the Wuhan Institute of Virology, a top-secret research laboratory. Besides studying dangerous viruses, the institute received samples from victims early in the pandemic. Labs around the world yearned for the samples to begin studies, but China refused to share them, and they were later destroyed. That animal-to-human transmission produced the pandemic was accepted by the scientific establishment, including the Centers for Disease Control and Prevention and the World Health Organization, with suggestions of a lab leak dismissed as racism and conspiracy theory. Admitting the absence of irrefutable proof for any one explanation, Markson comes down on the side of an accidental leak. In the final half of the book, the author presents a series of interviews, press conferences, statements, archival research, freedom-of-information snippets, and statements from Chinese whistleblowers that document a detailed coverup accepted uncritically by Western media, scientists, and global governments, with few exceptions.
Indefatigable journalism supporting a case that has become so politicized that facts assume secondary importance.Pub Date: Sept. 28, 2021
ISBN: 978-1-4607-6108-3
Page Count: 352
Publisher: HarperCollins
Review Posted Online: Sept. 27, 2021
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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