Indefatigable journalism supporting a case that has become so politicized that facts assume secondary importance.
An angry investigation into the source of Covid-19 that will captivate readers who retain the ability to be captivated by this seemingly interminable pandemic.
Award-winning Australian journalist Markson has devoted two years to massive research, and although many details are now public, she tells a dismaying story. In late 2019, a nasty viral pneumonia appeared in Wuhan. This was no secret to local doctors and journalists, whose reports (and many journalists themselves) quickly vanished. Only at the end of the year did the Chinese government reveal the existence of a widespread epidemic, but they added that the disease was not contagious and well under control. Many books recount the consequences of this fabrication, but Markson focuses on how the pandemic originated. Two facts stand out. First, according to scientists, Covid-19 began in a meat market in Wuhan. No local evidence exists because authorities closed and sterilized it. Second, Wuhan contains the Wuhan Institute of Virology, a top-secret research laboratory. Besides studying dangerous viruses, the institute received samples from victims early in the pandemic. Labs around the world yearned for the samples to begin studies, but China refused to share them, and they were later destroyed. That animal-to-human transmission produced the pandemic was accepted by the scientific establishment, including the Centers for Disease Control and Prevention and the World Health Organization, with suggestions of a lab leak dismissed as racism and conspiracy theory. Admitting the absence of irrefutable proof for any one explanation, Markson comes down on the side of an accidental leak. In the final half of the book, the author presents a series of interviews, press conferences, statements, archival research, freedom-of-information snippets, and statements from Chinese whistleblowers that document a detailed coverup accepted uncritically by Western media, scientists, and global governments, with few exceptions.
Indefatigable journalism supporting a case that has become so politicized that facts assume secondary importance.Pub Date: Sept. 28, 2021
ISBN: 978-1-4607-6108-3
Page Count: 352
Publisher: HarperCollins
Review Posted Online: Sept. 27, 2021
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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