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SLANTED

HOW THE NEWS MEDIA TAUGHT US TO LOVE CENSORSHIP AND HATE JOURNALISM

A damning and depressing indictment sure to incite controversy.

A veteran journalist decries a lack of responsible reporting.

Investigative journalist Attkisson, winner of five Emmy Awards, mounts a hard-hitting, if hardly novel, critique of the media, which she sees as manipulated and manipulative. Right now, “versions of history and current events are being written and revised in real time according to what powerful interests wish them to say.” Facts that support “The Narrative” are deemed newsworthy while other facts are buried. Instead of doing research and presenting opposing views, writes the author, “a new breed of reporter” aims “to convince you to believe whatever they personally believe.” Attkisson reports her own frustrating experiences at CBS, where her stories were repeatedly quashed and her reporting attacked; although executives wanted her to stay, she left before her contract expired in 2014. Areas where the author identifies egregious bias include the #MeToo movement, the Russia investigation, and biased pollsters; regarding the last, if results “are off trend,” the media discount them. Trump, however, has become “the vehicle that the media at large has used to unleash its furor and redefine journalism in a way it was never defined before,” and Attkisson finds much evidence for ways in which news outlets misquote or misconstrue Trump’s statements. Rarely, though, does she take Trump to task for his many proven lies. The author appends a long list of “major mistakes” about Trump propagated by news sources. These include “photos of immigrant children in cages as if they were new photos taken during the Trump administration” when they were “from 2014 during the Obama administration.” The media condemned Trump for saying, “It’s not our problem,” when referring to Turkey’s assault on Syria, when he said, “It’s not our border.” Attkisson reveals that in 1999, “Gallup found trust in mass media at 55 percent. It had plummeted to 40 percent in 2014.” To counter an even greater dip, the author includes a list of outlets and reporters that she considers trustworthy.

A damning and depressing indictment sure to incite controversy.

Pub Date: Nov. 24, 2020

ISBN: 978-0-06-297469-3

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 7, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

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An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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