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IMAGINING MOLLY

A beautifully written and psychologically intelligent thriller.

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In this novel, a mother desperately tries to find her abducted child—while receiving telepathic messages.

Claire Shore’s 6-year-old daughter, Molly, has been tormented by the same nightmare for weeks, accompanied by stomachaches, apparently the result of stress. Claire worries that this is something more than a fleeting bout of youthful anxiety, and her own mother recommends she seek the help of a professional therapist. Claire takes Molly shopping for a new outfit to wear to a friend’s birthday party and then suddenly realizes Molly’s vanished and is overcome by a wave of panic. Unable to find her, she calls her husband, Artie, and the police, and a frantic search begins. Claire remembers that an unfamiliar woman brashly intruded into her conversation with Molly, and she turns out to be a prostitute from Texas and the prime suspect. Meanwhile, Molly is whisked away by her captors, renamed Daisy, brutally beaten and mistreated, the victim of an organized kidnapping racket. Claire believes her daughter is sending her telepathic messages, and she reveals that her own sister, Faye, also experienced nightmares as a child that were better understood as visions. As the days and then weeks and months go by, the prospects for rescuing Molly seem increasingly bleak, and only a psychic who claims to have dreams about the child still believes she remains alive. The book shifts back and forth between two parallel stories—the desperate search for Molly spearheaded by her parents and the girl’s own fearful trials. Gale (Goddess Gilda, 2013) artfully conjures taut suspense, keeping the plot moving at a brisk pace without projecting the ultimate outcome of the tale. Some of the details of Molly’s ordeal are unsettlingly grim, but the author doesn’t pummel her readers with macabre violence, though some sections are, nonetheless, challenging to bear. Claire’s marriage begins to suffer early on, and her guilt over Molly’s disappearance is pulverizing, a subplot developed with impressive sensitivity by Gale. In prose that sometimes approaches poetic elegance, she captures the deep connection between Molly and her mother and Claire’s refusal, despite spiritual depletion, to relax the vigil for her missing child: “I climbed into bed suddenly exhausted. I crept back into the bathroom and soaked a washcloth under cold water. I rung [sic] it out, folded it in thirds, crawled back in bed and pressed the cold cloth to my forehead. I listened for my daughter.” Gale also skillfully delves into the mind of one of Molly’s captors, a morally misguided woman but not an evil one, looking, however perversely, for a family of her own. The heart of the story, though, is Molly, who memorably perseveres despite her understandable terror and the degradation she weathers. The author uses the child’s telepathy as a sign of her emotional acuteness and the basis of her deep attunement with her mother. Gale has a talent for depicting compassion that survives even the darkest trauma, and Molly’s own resilience is the finest example of that knack. 

A beautifully written and psychologically intelligent thriller. 

Pub Date: May 25, 2017

ISBN: 978-1-5449-8284-7

Page Count: 356

Publisher: CreateSpace

Review Posted Online: July 24, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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