edited by Sharyn Skeeter ‧ RELEASE DATE: Feb. 21, 2023
An impressive, dynamic host of spectacular stories filled with engaging characters.
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This anthology of stories, edited by Skeeter, illuminates the aftermath of life-changing events.
This book’s 25 stories, by as many authors, follow a diverse cast experiencing changes brought about by internal and external forces. In Chitra Banerjee Divakaruni’s “Doors,” Preeti heads right back to Berkeley after she and Deepak wed. The two live together peacefully and accept each other’s differences, like Preeti’s preference for locking the door when she’s in the bathroom. Deepak’s old friend Raj, and his callous disregard for privacy, however, throws off the couple’s balance. In Charles Johnson’s “Night Shift,” Lucas works at a hospital at the height of the Covid pandemic. When someone he knows rolls into the hospital with a gunshot wound, Lucas must make a decision that could threaten the career he’s fought hard to achieve. Many of the tales revolve around families or relationships, encompassing struggling marriages, sometimes-vexing relatives, and loved ones surviving a pandemic. There’s diversity not only among the authors and their characters, but among the stories as well; they showcase a variety of genres, including romance, melodrama, comedy, and even a hint of fantasy. Brenda Peynado takes readers to an exceptionally grim dystopia in her outstanding “The Touches,” in which individuals steer clear of the “dirty,” disease-riddled corporeal world in favor of the “clean” virtual-reality alternative. As the story progresses, the narrator, Salipa, counts off the mere four times she’s made physical contact with others.
The editor, who also contributes a story of her own, gathers an extraordinary collection of tales, rich with relatable character portraits that the authors tackle in numerous ways; several stories draw in readers with second-person narrations. In the case of Donna Miscolta’s “Mother, Mother, Mother, Mother Earth,” the English alphabet helps relay the journey of a mother raising her daughter (“M is for make-believe we are fine”). Even the more extreme scenarios manage to hit home: In Clarence Major’s “Innocence,” the narrator witnesses a double murder but seems more perturbed by the apparent confirmation that a lover has been unfaithful. While this collection has its share of standouts, there’s simply no lull in the run of stories. They’re teeming with compelling figures, like Jake in Joseph Bruchac’s “Vision,” an Indigenous man who’s a former special forces soldier and an aspiring novelist. There are also delightfully lighthearted turns; in Joanna Scott’s “Teardrop,” a woman spends a memorable day with her 6-year-old niece, Jody, whose innocent and frankly hilarious vandalism leads to disastrous results. The prose throughout is consistently sound: As Shannon Sanders (“The Good, Good Men”) writes, “Lee had met their father at a District jazz lounge that no longer existed, a place Miles had long imagined as dark and deliciously moody like the man himself, with threads of light piano melody curling through the air between sets.” Such passages electrify narratives that readers will surely savor.
An impressive, dynamic host of spectacular stories filled with engaging characters.Pub Date: Feb. 21, 2023
ISBN: 9781950584864
Page Count: 326
Publisher: Green Writers Press
Review Posted Online: June 9, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Review Program: Kirkus Indie
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by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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BOOK REVIEW
by Fredrik Backman ; translated by Neil Smith
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SEEN & HEARD
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
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