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SHORT FICTION IN TIME OF CHANGE

An impressive, dynamic host of spectacular stories filled with engaging characters.

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This anthology of stories, edited by Skeeter, illuminates the aftermath of life-changing events.

This book’s 25 stories, by as many authors, follow a diverse cast experiencing changes brought about by internal and external forces. In Chitra Banerjee Divakaruni’s “Doors,” Preeti heads right back to Berkeley after she and Deepak wed. The two live together peacefully and accept each other’s differences, like Preeti’s preference for locking the door when she’s in the bathroom. Deepak’s old friend Raj, and his callous disregard for privacy, however, throws off the couple’s balance. In Charles Johnson’s “Night Shift,” Lucas works at a hospital at the height of the Covid pandemic. When someone he knows rolls into the hospital with a gunshot wound, Lucas must make a decision that could threaten the career he’s fought hard to achieve. Many of the tales revolve around families or relationships, encompassing struggling marriages, sometimes-vexing relatives, and loved ones surviving a pandemic. There’s diversity not only among the authors and their characters, but among the stories as well; they showcase a variety of genres, including romance, melodrama, comedy, and even a hint of fantasy. Brenda Peynado takes readers to an exceptionally grim dystopia in her outstanding “The Touches,” in which individuals steer clear of the “dirty,” disease-riddled corporeal world in favor of the “clean” virtual-reality alternative. As the story progresses, the narrator, Salipa, counts off the mere four times she’s made physical contact with others.

The editor, who also contributes a story of her own, gathers an extraordinary collection of tales, rich with relatable character portraits that the authors tackle in numerous ways; several stories draw in readers with second-person narrations. In the case of Donna Miscolta’s “Mother, Mother, Mother, Mother Earth,” the English alphabet helps relay the journey of a mother raising her daughter (“M is for make-believe we are fine”). Even the more extreme scenarios manage to hit home: In Clarence Major’s “Innocence,” the narrator witnesses a double murder but seems more perturbed by the apparent confirmation that a lover has been unfaithful. While this collection has its share of standouts, there’s simply no lull in the run of stories. They’re teeming with compelling figures, like Jake in Joseph Bruchac’s “Vision,” an Indigenous man who’s a former special forces soldier and an aspiring novelist. There are also delightfully lighthearted turns; in Joanna Scott’s “Teardrop,” a woman spends a memorable day with her 6-year-old niece, Jody, whose innocent and frankly hilarious vandalism leads to disastrous results. The prose throughout is consistently sound: As Shannon Sanders (“The Good, Good Men”) writes, “Lee had met their father at a District jazz lounge that no longer existed, a place Miles had long imagined as dark and deliciously moody like the man himself, with threads of light piano melody curling through the air between sets.” Such passages electrify narratives that readers will surely savor.

An impressive, dynamic host of spectacular stories filled with engaging characters.

Pub Date: Feb. 21, 2023

ISBN: 9781950584864

Page Count: 326

Publisher: Green Writers Press

Review Posted Online: June 9, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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