by Sheila Fitzpatrick ‧ RELEASE DATE: Feb. 1, 1999
“Everyday Stalinism” may seem like an oxymoron, but life did go on even in those terrible circumstances, and it is the virtue of this book that it attempts to understand what life was like for ordinary people. Since this is an account of urban life, the killing of millions of peasants, dealt with by Fitzpatrick (Modern Russian History/Univ. of Chicago) in her earlier Stalin’s Peasants (1994), takes place offstage here, but it profoundly affected the —30s, not just in the massive social dislocation, the overcrowding in communal apartments, and a rationing system close to collapse, but in the pervasive fear. Criminal penalties could be imposed on a worker 20 minutes late for work. The bureaucracy accumulated enormous power over people’s lives. In one factory, after a hairdresser had been appointed, it became a criminal offense to shave oneself. It became too dangerous to participate in policy debates. And then, over and above the millions claimed by the Purges, there was the simultaneous round-up and execution of thousands of ’socially dangerous elements,— church people, —counter-revolutionaries,— and habitual criminals. Fitzpatrick tells us that the target figure for executions was 70,000 and for dispatch to the Gulag 200,000. Fitzpatrick does show that there were some who were either favored by the process or unaffected by it, or who thought that these were necessary sacrifices on the way to a radiant future. The scale of the sacrifice was concealed from the people by a state that was increasingly secretive and unwilling to allow knowledge of what it was doing to be disseminated. There are some curious judgments: that Stalin —perhaps covertly encouraged— the cult of personality, or that the idea of remaking the human being ’seems to have had some genuinely inspirational impact— in the Gulag. But Fitzpatrick makes subtle use of the press and of police reports tzao assist in giving us one of the most comprehensive accounts to date of what it meant to live in Stalin’s Russia in the 1930s.
Pub Date: Feb. 1, 1999
ISBN: 0-19-505000-2
Page Count: 288
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
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edited by Sheila Fitzpatrick & Yuri Slezkine & translated by Yuri Slezkine
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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