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EVERYDAY STALINISM

ORDINARY LIFE IN EXTRAORDINARY TIMES: SOVIET RUSSIA IN THE 1930S

“Everyday Stalinism” may seem like an oxymoron, but life did go on even in those terrible circumstances, and it is the virtue of this book that it attempts to understand what life was like for ordinary people. Since this is an account of urban life, the killing of millions of peasants, dealt with by Fitzpatrick (Modern Russian History/Univ. of Chicago) in her earlier Stalin’s Peasants (1994), takes place offstage here, but it profoundly affected the —30s, not just in the massive social dislocation, the overcrowding in communal apartments, and a rationing system close to collapse, but in the pervasive fear. Criminal penalties could be imposed on a worker 20 minutes late for work. The bureaucracy accumulated enormous power over people’s lives. In one factory, after a hairdresser had been appointed, it became a criminal offense to shave oneself. It became too dangerous to participate in policy debates. And then, over and above the millions claimed by the Purges, there was the simultaneous round-up and execution of thousands of ’socially dangerous elements,— church people, —counter-revolutionaries,— and habitual criminals. Fitzpatrick tells us that the target figure for executions was 70,000 and for dispatch to the Gulag 200,000. Fitzpatrick does show that there were some who were either favored by the process or unaffected by it, or who thought that these were necessary sacrifices on the way to a radiant future. The scale of the sacrifice was concealed from the people by a state that was increasingly secretive and unwilling to allow knowledge of what it was doing to be disseminated. There are some curious judgments: that Stalin —perhaps covertly encouraged— the cult of personality, or that the idea of remaking the human being ’seems to have had some genuinely inspirational impact— in the Gulag. But Fitzpatrick makes subtle use of the press and of police reports tzao assist in giving us one of the most comprehensive accounts to date of what it meant to live in Stalin’s Russia in the 1930s.

Pub Date: Feb. 1, 1999

ISBN: 0-19-505000-2

Page Count: 288

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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