by Sheila Kay Adams ‧ RELEASE DATE: May 23, 2004
Deeply satisfying storytelling propelled by the desires of full-bodied, prickly characters, set against a landscape rendered...
Loosely based on the author's family history, a fine first novel about doomed love and hardscrabble lives in a 19th-century Appalachian mountain community.
Narrator Arty Norton begins her tale in 1845 with her widowed aunt's death in childbirth. The extended family takes in orphaned Larkin; nine-year-old Arty becomes his beloved surrogate mother, her scapegrace younger brother Hackley his closest friend. Later, the two young men fall in love with Mary Chandler, who marries Hackley but fails to stop his womanizing. Larkin is still yearning for her when the inhabitants of Sodom, North Carolina, are swept up in the Civil War, scathingly depicted by Arty as a brutal conflict with no meaning for the poor people who are forced to fight and suffer in it anyway. Hackley dies, and Mary marries Larkin, but the wounds of the past cannot be healed so easily. Adams (stories: Come Go Home with Me, 1995) is a well-known performer of the traditional ballads brought by settlers from the British Isles to Appalachia, and her text is permeated with the same tragic vision and keening rhythms. She has an equally faultless ear for the cadences of ordinary folks' speech, particularly as voiced by her narrator. In contrast to her religious Mommie (their contentious yet loving relationship is one of the many richly nuanced portrayals here), Arty is salty, sexy, and sharp-tongued. Marriage at 14 and a subsequent flock of babies don't smooth her edges or dull her intelligence as she observes the intertwined lives of her kin and neighbors. Looking back from the vantage point of 1919 (“I am older than God's dog”), she remembers hunger and hardship, good deeds and bad, jealousy and hatred but most of all love, “the greatest of all . . . it ain't always been easy, but Lord has it been worth it.”
Deeply satisfying storytelling propelled by the desires of full-bodied, prickly characters, set against a landscape rendered in all its beauty and harshness.Pub Date: May 23, 2004
ISBN: 1-56512-407-3
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
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by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Josie Silver ‧ RELEASE DATE: Oct. 16, 2018
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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