Deeply satisfying storytelling propelled by the desires of full-bodied, prickly characters, set against a landscape rendered...
Loosely based on the author's family history, a fine first novel about doomed love and hardscrabble lives in a 19th-century Appalachian mountain community.
Narrator Arty Norton begins her tale in 1845 with her widowed aunt's death in childbirth. The extended family takes in orphaned Larkin; nine-year-old Arty becomes his beloved surrogate mother, her scapegrace younger brother Hackley his closest friend. Later, the two young men fall in love with Mary Chandler, who marries Hackley but fails to stop his womanizing. Larkin is still yearning for her when the inhabitants of Sodom, North Carolina, are swept up in the Civil War, scathingly depicted by Arty as a brutal conflict with no meaning for the poor people who are forced to fight and suffer in it anyway. Hackley dies, and Mary marries Larkin, but the wounds of the past cannot be healed so easily. Adams (stories: Come Go Home with Me, 1995) is a well-known performer of the traditional ballads brought by settlers from the British Isles to Appalachia, and her text is permeated with the same tragic vision and keening rhythms. She has an equally faultless ear for the cadences of ordinary folks' speech, particularly as voiced by her narrator. In contrast to her religious Mommie (their contentious yet loving relationship is one of the many richly nuanced portrayals here), Arty is salty, sexy, and sharp-tongued. Marriage at 14 and a subsequent flock of babies don't smooth her edges or dull her intelligence as she observes the intertwined lives of her kin and neighbors. Looking back from the vantage point of 1919 (“I am older than God's dog”), she remembers hunger and hardship, good deeds and bad, jealousy and hatred but most of all love, “the greatest of all . . . it ain't always been easy, but Lord has it been worth it.”
Deeply satisfying storytelling propelled by the desires of full-bodied, prickly characters, set against a landscape rendered in all its beauty and harshness.Pub Date: May 23, 2004
ISBN: 1-56512-407-3
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
BOOK REVIEW
Empty calories, presented cutely enough.
A family wedding forces a runaway fiancée to stick her toe back in the dating pool.
In this weightless debut, Emmy Everett emerges from seclusion—three years in Rhode Island working in a tackle shop—to return to Scarsdale for older brother Josh’s wedding to graceful Meryl. But Josh isn’t sure he wants to get married this weekend: He might be in love with Elizabeth, a holistic veterinarian with whom he has a connection (it was “like they were hearing the same song”). Urged on all sides to be supportive of her sibling during his crisis of indecision, Emmy can’t avoid contemplating the vacuum in her own love life. Mind you, that could easily be remedied, since suitors dog her every step. There’s Josh’s best friend, sexy chef Jaime; old local boyfriend Justin, although he now reveals himself to be gay; and above all ex-fiancé Matt, last seen sleeping in a motel room next to the abandoned engagement ring as Emmy slipped out the door with the knowledge that “she was losing him slowly anyway.” Dave milks the reliable wedding scenario set pieces, supplementing them with various comic characters, including Meryl’s birth parents, a pair of sociology professors never previously seen outside the Ozarks, and Emmy’s Jewish mother (“Eat just a little”). The book offers a kind of innocent yet worldly-wise charm via Emmy’s perky running commentary, but for every burst of invention, like the power outage that throws the doomed wedding off course, there’s a heaping portion of familiarity, especially in Matt’s prostration before Emmy (“I still have the engagement ring”) and her inevitable conjoining with an even more over-romanticized prospect.
Empty calories, presented cutely enough.Pub Date: May 22, 2006
ISBN: 0-670-03756-7
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
Well-written women’s weepie from the author of many, now with her first hardcover.
Blindness, babies, bathos.
When photojournalist Jessie Ryder finds that she’s losing her sight to a rare retinal disease, it’s time to take stock—and, at last, meet the child she gave away years before. She rails against her cruel fate as she leaves New Zealand for the Texas town where she grew up. After all, she’d stayed away, kept her distance—and kept her side of the bargain she made with God. She’d provided the best possible home for her newborn by handing her over to her sister Luz and her husband Ian. Even now that she’s a teenager, Lila has no idea that she was adopted (and there’s another thing even Luz doesn’t know). Lila escapes serious injury during a joyriding car accident that shakes the family out of its complacency and forces them to grapple with the Big Questions. Why does Ian, a Death Row lawyer, always have time for his clients but not for his family? Must Luz always shoulder most of the burden of raising the kids and running the house? Luz pines for what she perceives as her sister’s freedom, but Jessie, of course, isn’t really free. She’s always been haunted by what she never told Luz: Lila is the product of a long-ago, whirlwind affair with Ian. Her vision dimming day by day, Jessie wonders whether she’ll ever find happiness. There’s hunky rancher Dusty Matlock, father of an adorable toddler, still fending off media attention ever since his pregnant wife, comatose after a stroke, gave birth by Cesarean and expired a couple of years ago. Should Jessie give in to Blair LaBorde, tabloid reporter, and photograph Dusty? Perhaps. But will Jessie even admit that she’s losing her sight? Yes, once she shares her story yet again at the world-famous center for the blind not far away.
Well-written women’s weepie from the author of many, now with her first hardcover.Pub Date: April 1, 2003
ISBN: 1-55166-673-1
Page Count: 384
Publisher: Harlequin MIRA
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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