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THE AFGHAN AMULET

TRAVELS FROM THE HINDU KUSH TO RAZGRAD

On a quest to discover the origins of an exquisite embroidered robe and amulet she found in London, British textile expert Paine chronicles her journeys from Pakistan to Bulgaria through some of the world's wildest outposts of civilization. Determined to track down the source of a tribal dress that protects women against evil spirits, Paine ventures as a lone, vulnerable woman through remote areas of Pakistan, Afghanistan, Iran, Iraq, Kurdistan, Turkey, and Bulgaria she travels armed only with photos of the embroidery, five kilos of luggage, a bottle of vodka, the Afghan amulet around her neck, and cash sewn into her bra and socks. She wends her way by bus, jeep, and hitchhiker's luck through police checks and villages where camels and Kalashinkovs are everyday sights and women's embroidery and crimson sunsets are the only vibrancy in a barren rockscape. A widow in her 60s, Paine stays in homes with bullet-ridden mud walls and in hotels without water, electricity, bedding, phone, or cutlery where she barricades her door to keep out lecherous nocturnal visitors. Babies cry at the sight of her and men either pelt her with rocks or gallantly protect and then assault her. She sneaks into Iran through a Khomeini-crowned gate and is smuggled into Iraq, where Saddam has a bounty on Westerners' heads. Under the protective guises of widowhood, motherhood, and local costume, she enters women's domestic sanctums to view their handiwork. In lyrical prose she describes lands ravaged by extreme seasons and political turmoil, where men discuss nuclear weapons and dowries, and women, hidden by veils, have 18 children while supporting their families. Ultimately, Paine's textile quest, which is solved with a twist, merely provides a pretext for a fascinating and beautifully written account of an odyssey through extreme physical, cultural, and spiritual wildernesses. Paine displays the courage of a frontierswoman and the prose of a poet, making this indispensable for hearty travelers. (3 linecuts and 5 maps)

Pub Date: Oct. 1, 1994

ISBN: 0-312-11236-X

Page Count: 304

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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