A woman tells of her long, rich life and the terrible impact upon her of slavery.
Freed from slavery, an indomitable woman narrates her century of life.
This sweeping novel begins with its narrator, Momma Grace, living in Ohio with her family five years after the end of the Civil War. She’s a formerly enslaved woman, at least a century old, and she has a remarkable story to tell. She begins at the beginning, with her golden childhood in West Africa, an idyll cut short when slave traders kidnap the girl called Little Bird and one of her older sisters. Williams skillfully gives the reader a child’s-eye view of the confusion and cruelty of being marched for days to be loaded onto a ship for the Middle Passage. But Little Bird’s life soon takes another surprising turn, one that will be largely good luck for her. The ship is raided by a pirate crew led by a formerly enslaved captain called Caesar, and he quickly notices Little Bird’s facility for languages. Renamed Maryam, she becomes his translator and spy, and also, on a remote island where his crew's families live, she becomes apprentice to a midwife and healer. That luck doesn’t hold; after a few years she ends up in the slave markets and begins a long life of bondage. The skills she learned on Caesar’s island make her particularly valuable—when she’s sent to deliver babies, White and Black, and to treat the sick, it’s the slave master who collects the pay for her services. As she is sold from one plantation to another, she forms warm friendships and romances, even marrying once (although it’s illegal for the enslaved to marry). She has several children and, one way or another, loses most of them—some of them sold away by her enslavers, who see their slaves’ children as commodities. Momma Grace’s story is often a brutal one, but it’s full of adventure and romance, courage and resilience. It’s no apologia for slavery but a moving portrait of its fully human victims.
A woman tells of her long, rich life and the terrible impact upon her of slavery.Pub Date: March 15, 2022
ISBN: 978-0-06-309707-0
Page Count: 352
Publisher: Amistad/HarperCollins
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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