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WHITE GUILT

HOW BLACKS AND WHITES TOGETHER DESTROYED THE PROMISE OF THE CIVIL RIGHTS ERA

Aims to provoke, but will appeal mainly to those already in the choir.

African-American conservative Steele (A Dream Deferred, 1998, etc.) charges guilty white liberals and their black enablers with unleashing a moral relativism that is corrupting America.

The author frames his book around a drive up the California coast during which he pondered the Bill Clinton–Monica Lewinsky affair. Why is it, he asks himself, that President Eisenhower would have been drummed out of office for a sex scandal like Clinton’s, while Clinton would certainly have been impeached if he had used the racial slur Eisenhower allegedly employed on the golf course? The answer, Steele asserts, is a fundamental change in American culture. The success of the civil-rights movement in the 1960s showed that America’s power structure lacked moral authority. For white Americans, the only way to regain that authority has been to “disassociate” from racism, which Steele says is now more frowned upon than adultery. The result has whites straining to appear benevolent toward blacks, while African-American leaders take advantage of “white guilt” to gain handouts such as affirmative action. Steele, who made the same points in his National Book Critics Circle award-winner The Content of Our Character (1990), contends that white liberals see blacks for their skin color instead of their individuality. (“Most of today’s conservatives,” he contends, “sound like Martin Luther King in 1963.”) Black leaders, on the other hand, fail to call upon African-Americans to exercise personal responsibility. Steele has some noteworthy insights into the ways blacks and whites relate, but his arguments suffer from his tendency to establish and then gleefully demolish straw men and from his sweeping generalizations based on personal experiences. Steele claims, for example, that the racial discrimination he encountered as a child did little to harm his self-image and then applies his experience to all blacks. This is the same form of argument he finds offensive in others.

Aims to provoke, but will appeal mainly to those already in the choir.

Pub Date: May 2, 2006

ISBN: 0-06-057862-9

Page Count: 192

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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