An affecting tale of love, loss, and loneliness written with style and deep emotion.

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THE SEED APPLE

In Greene’s (After the Parch, 2014, etc.) novel, a Jewish Holocaust survivor meets a family of Jewish Native Americans in California and gets drawn into an age-old dispute.

In the 1980s, Mendel Traig leaves Bolton, Pennsylvania, for a monthslong vacation in Canyon Springs, California, in the hope that the arid desert air will alleviate his chronic bronchitis. He quickly meets Sarah Cavanaugh and is drawn to the “shyness, warmth and intelligence in her eyes.” At the same time, he’s reminded of a female friend who died during the Holocaust. He discovers that Sarah is a metallurgical engineer who’s working on a communication tower in the area—a U.S. Navy venture that will be used to facilitate contact with nuclear submarines. The project is controversial, however, as it’s on a site that local Native Americans consider sacred; they tie up construction in litigation, threatening its future. Mendel soon becomes close friends with the project’s developer, Arin Binyan. Arin is an uncommon man, and Mendel is fascinated by what he describes as his “almost irreconcilable emulsion of materialism and spirituality”; he’s devoted to the tower project but also appreciates the holy significance of the site and its connections to his own Jewish Native American family. However, Arin clashes with his son, Zev, who openly opposes the tower. Over the course of the story, Greene conjures a profound connection between Mendel and Arin, circuitously showing how they share the lonesome experience of mourning. Along the way, the author’s prose is, by turns, comically punchy and delicately elegiac, which is a rare and impressive literary combination. Rare, too, are the novel’s wit and moving wisdom. At one point, for example, Arin poetically observes, “We’re programmed to grieve, you know. It’s healthy; it lets us put the matter of death behind us. Every animal grieves: elephants, I suppose, even mice, although I’ve never seen it. It’s that seminal commitment to the life process.”

An affecting tale of love, loss, and loneliness written with style and deep emotion. 

Pub Date: April 28, 2016

ISBN: 978-1-5236-1256-7

Page Count: 320

Publisher: CreateSpace

Review Posted Online: Jan. 30, 2020

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Charming, challenging, and so interesting you can hardly put it down.

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SUCH A FUN AGE

The relationship between a privileged white mom and her black babysitter is strained by race-related complications.

Blogger/role model/inspirational speaker Alix Chamberlain is none too happy about moving from Manhattan to Philadelphia for her husband Peter's job as a TV newscaster. With no friends or in-laws around to help out with her almost-3-year-old, Briar, and infant, Catherine, she’ll never get anywhere on the book she’s writing unless she hires a sitter. She strikes gold when she finds Emira Tucker. Twenty-five-year-old Emira’s family and friends expect her to get going on a career, but outside the fact that she’s about to get kicked off her parents’ health insurance, she’s happy with her part-time gigs—and Briar is her "favorite little human." Then one day a double-header of racist events topples the apple cart—Emira is stopped by a security guard who thinks she's kidnapped Briar, and when Peter's program shows a segment on the unusual ways teenagers ask their dates to the prom, he blurts out "Let's hope that last one asked her father first" about a black boy hoping to go with a white girl. Alix’s combination of awkwardness and obsession with regard to Emira spins out of control and then is complicated by the reappearance of someone from her past (coincidence alert), where lies yet another racist event. Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she’s a dialogue genius, effortlessly incorporating toddler-ese, witty boyfriend–speak, and African American Vernacular English. For about two-thirds of the book, her evenhandedness with her varied cast of characters is impressive, but there’s a point at which any possible empathy for Alix disappears. Not only is she shallow, entitled, unknowingly racist, and a bad mother, but she has not progressed one millimeter since high school, and even then she was worse than we thought. Maybe this was intentional, but it does make things—ha ha—very black and white.

Charming, challenging, and so interesting you can hardly put it down.

Pub Date: Jan. 7, 2020

ISBN: 978-0-525-54190-5

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

DEAR EDWARD

A 12-year-old boy is the sole survivor of a plane crash—a study in before and after.

Edward Adler is moving to California with his adored older brother, Jordan, and their parents: Mom is a scriptwriter for television, Dad is a mathematician who is home schooling his sons. They will get no further than Colorado, where the plane goes down. Napolitano’s (A Good Hard Look, 2011, etc.) novel twins the narrative of the flight from takeoff to impact with the story of Edward’s life over the next six years. Taken in by his mother’s sister and her husband, a childless couple in New Jersey, Edward’s misery is constant and almost impermeable. Unable to bear sleeping in the never-used nursery his aunt and uncle have hastily appointed to serve as his bedroom, he ends up bunking next door, where there's a kid his age, a girl named Shay. This friendship becomes the single strand connecting him to the world of the living. Meanwhile, in alternating chapters, we meet all the doomed airplane passengers, explore their backstories, and learn about their hopes and plans, every single one of which is minutes from obliteration. For some readers, Napolitano’s premise will be too dark to bear, underlining our terrible vulnerability to random events and our inability to protect ourselves or our children from the worst-case scenario while also imagining in exhaustive detail the bleak experience of survival. The people around Edward have no idea how to deal with him; his aunt and uncle try their best to protect him from the horrors of his instant celebrity as Miracle Boy. As one might expect, there is a ray of light for Edward at the end of the tunnel, and for hardier readers this will make Napolitano’s novel a story of hope.

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

Pub Date: Jan. 14, 2020

ISBN: 978-1-9848-5478-0

Page Count: 352

Publisher: Dial

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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