From second-novelist Mickle (The Queen of October, 1989): an engaging, sweet-natured account of a Florida family's survival in the wake of a father's desertion. The Marsh family lives in Palm Key, Florida, a small town where father George is a grade-school principal who leaves wife Linda and their three children—Drew, Mandy, George, Jr.—for Mandy's fifth-grade teacher. The consequences of the divorce are told in alternate chapters by deserted Linda and 15-year-old Drew. The emotional accuracy of many scenes rings true, and the fairy- tale nature of the upbeat narrative is forestalled long enough to be credible. Linda goes to work as a clerk in the payroll office at the town dump, and Drew fortunately has an accident with a Mercedes owned by the new doctor in town, Mark Haley. Haley, of course, decides to hire Drew's mother in his office, and the eventual romance that develops is perhaps too predictable. Meanwhile, there's the usual panoply of predicaments: the roof gives way, and Rex the Roofer makes a pass at Linda and sneaks into her bedroom; after obscene phone calls, Linda gets on unlisted number; the dog dies, and a new one must be found and named, etc. At ``Fort Marsh,'' life is never easy, but neither is it usually more taxing than the trials and tribulations of a TV sitcom life. Finally, Drew uses a fishing rodeo as the medium of rapprochement between his mother and the doctor when things seem a little rocky. Mickle doesn't entirely avoid sentimentality here—but she does zero in on the complexities of day-to-day survival and seasonal change to chronicle the way a family resuscitates itself.
Pub Date: May 1, 1993
ISBN: 1-56512-017-5
Page Count: 266
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
BOOK REVIEW
Catch-22 is also concerned with some of war's horrors and atrocities, and it is at times painfully grim.
Catch-22 is an unusual, wildly inventive comic novel about World War II, and its publishers are planning considerable publicity for it.
Set on the tiny island of Pianosa in the Mediterranean Sea, the novel is devoted to a long series of impossible, illogical adventures engaged in by the members of the 256th bombing squadron, an unlikely combat group whose fanatical commander, Colonel Cathcart, keeps increasing the men's quota of missions until they reach the ridiculous figure of 80. The book's central character is Captain Yossarian, the squadron's lead bombardier, who is surrounded at all times by the ironic and incomprehensible and who directs all his energies towards evading his odd role in the war. His companions are an even more peculiar lot: Lieutenant Scheisskopf, who loved to win parades; Major Major Major, the victim of a life-long series of practical jokes, beginning with his name; the mess officer, Milo Minderbinder, who built a food syndicate into an international cartel; and Major de Coverley whose mission in life was to rent apartments for the officers and enlisted men during their rest leaves. Eventually, after Cathcart has exterminated nearly all of Yossarian's buddies through the suicidal missions, Yossarian decides to desert — and he succeeds.
Catch-22 is also concerned with some of war's horrors and atrocities, and it is at times painfully grim.Pub Date: Oct. 10, 1961
ISBN: 0684833395
Page Count: 468
Publisher: Simon & Schuster
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Oct. 1, 1961
BOOK REVIEW
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The fine Israeli writer Yehoshua (Open Heart, 1996, etc.) makes a lengthy journey into the year 999, the end of the first millennium. Indeed, it is the idea of a great journey that is the heart of the story here. Ben Attar, a Moroccan Jewish merchant has come a long distance to France to seek out his nephew and former partner Abulafia. Ben Attar, the nephew, and a third partner, the Muslim Abu Lutfi, had once done a lucrative business importing spices and treasures from the Atlas Mountains to eager buyers in medieval Europe. But now their partnership has been threatened by a complex series of events, with Abulafia married to a pious Jewish widow who objects vehemently to Ben Attar’s two wives. Accompanied by a Spanish rabbi, whose cleverness is belied by his seeming ineffectualness; the rabbi’s young son, Abu Lutfi; the two wives; a timorous black slave boy, and a crew of Arab sailors, the merchant has come to Europe to fight for his former partnership. The battle takes place in two makeshift courtrooms in the isolated Jewish communities of the French countryside, in scenes depicted with extraordinary vividness. Yehoshua tells this complex, densely layered story of love, sexuality, betrayal and “the twilight days, [when] faiths [are] sharpened in the join between one millennium and the next” in a richly allusive, languorous prose, full of lengthy, packed sentences, with clauses tumbling one after another. De Lange’s translation is sensitively nuanced and elegant, catching the strangely hypnotic rhythms of Yehoshua’s style. As the story draws toward its tragic conclusion—but not the one you might expect—the effect is moving, subtle, at once both cerebral and emotional. One of Yehoshua’s most fully realized works: a masterpiece.
Pub Date: Jan. 19, 1999
ISBN: 0-385-48882-3
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
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