Fabulous, funny body positivity.
Laxmi, an Indian American elementary school student, has a mooch.
A mooch, Laxmi explains, is a sprinkling of hairs on her upper lip; it’s also the Hindi word for mustache. Laxmi is unaware of her mooch until her friends Zoe and Noah point it out during recess. At first, Laxmi is mortified—especially when she realizes she doesn’t have fine, dark hairs just on her top lip but all over her whole body. At the end of the day, she runs home to her parents, who react to her distress with humor and compassion. Mummy explains that Laxmi comes from generations of women with mooches. When Laxmi complains about the hair between her eyebrows, her parents compare her to feminist icon Frida Kahlo. Laxmi is still upset, but that night she dreams of tigers, and, appropriately, in the morning she has a whole new attitude—about herself and about her hair. Debut author Anand skillfully balances humor with sincerity, crafting a narrator who is both vulnerable and powerful, while Ali contributes sunny-humored illustrations that place the appealingly chubby, brown-skinned girl at the center of a diverse classroom headed by a hijabi teacher. Laxmi’s journey is both accessible and authentic, and it is a true pleasure to watch her not only embrace her own body, but also teach her classmates how to embrace theirs as well. A picture glossary of the Hindi vocabulary used appears on the endpapers. (This book was reviewed digitally with 8.5-by-22-inch spreads viewed at 22.5% of actual size.)
Fabulous, funny body positivity. (Picture book. 3-8)Pub Date: March 2, 2021
ISBN: 978-1-984815-65-1
Page Count: 32
Publisher: Kokila
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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