A series that seemingly couldn’t get any better goes a little deeper; with Young at the helm, readers can’t lose.
Fleet and friends take to the sea to solve a maritime murder in Young’s (Fleeting Note, 2013, etc.) fourth entry in his one-of-a-kind comic mystery series.
When an admiral friend invites semiretired PI Enescu Fleet and sidekick John Hathaway to Astorbay, Canada, for an all-night game of poker aboard The Stacked Deck, they’re happy to accept. “After all,” quips Fleet, “What sort of Fleet would refuse the request of an admiral?” Hathaway is particularly pleased not to be “stumbling over grisly corpses or up to [his] elbows in potential killers” after a year full of bizarre murder cases. Maybe, for once, his fiancee, Lesley, Fleet’s daughter, Ate, and Fleet’s faithful Maltese, Pixie, will all get to enjoy a vacation. But a relaxing night just isn’t in the cards for our hapless narrator; no sooner has Hathaway flopped a full house than a man falls overboard and another is found stabbed. Out of the 10 card players there that night, it seems that one of them had a different sort of game in mind. Though much of the resulting case takes place on the island, the story is something of a nautical Ten Little Indians, with the players’ pasts bringing them to the table in similar fashion to the famous Christie novel. Just as in the other books in his series, Young plots this story brilliantly and tells it through the same affably lost Hathaway. Characteristic of his writing, Young’s book revels in wordplay and self-referential humor as the author shuffles through more playing-card puns than this review can deal. That’s not to say it’s all fun; from Ate’s childhood in the shadow of her famous father to the darker moments of the detective’s own past, the story takes readers deeper into Young’s characters than ever before. Though the humor occasionally borders on being too subtle for its own good, the gambit proves worth the risk by keeping the series fresh. As always, attentive readers will be well-rewarded.
A series that seemingly couldn’t get any better goes a little deeper; with Young at the helm, readers can’t lose.Pub Date: Aug. 25, 2014
ISBN: 978-0991232468
Page Count: 240
Publisher: MysteryCaper Press
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Review Program: Kirkus Indie
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one...
An inordinately moving, electric exploration of two warring cultures fused in love, focused on the lives of four Chinese women—who emigrated, in their youth, at various times, to San Francisco—and their very American 30-ish daughters.
Tan probes the tension of love and often angry bewilderment as the older women watch their daughters "as from another shore," and the daughters struggle to free themselves from maddening threads of arcane obligation. More than the gap between generations, more than the dwindling of old ways, the Chinese mothers most fear that their own hopes and truths—the secret gardens of the spirit that they have cultivated in the very worst of times—will not take root. A Chinese mother's responsibility here is to "give [my daughter] my spirit." The Joy Luck Club, begun in 1939 San Francisco, was a re-creation of the Club founded by Suyuan Woo in a beleaguered Chinese city. There, in the stench of starvation and death, four women told their "good stories," tried their luck with mah-jongg, laughed, and "feasted" on scraps. Should we, thought Suyuan, "wait for death or choose our own happiness?" Now, the Chinese women in America tell their stories (but not to their daughters or to one another): in China, an unwilling bride uses her wits, learns that she is "strong. . .like the wind"; another witnesses the suicide of her mother; and there are tales of terror, humiliation and despair. One recognizes fate but survives. But what of the American daughters—in turn grieved, furious, exasperated, amused ("You can't ever tell a Chinese mother to shut up")? The daughters, in their confessional chapters, have attempted childhood rebellions—like the young chess champion; ever on maternal display, who learned that wiles of the chessboard did not apply when opposing Mother, who had warned her: "Strongest wind cannot be seen." Other daughters—in adulthood, in crises, and drifting or upscale life-styles—tilt with mothers, one of whom wonders: "How can she be her own person? When did I give her up?"
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one that matches the vigor and sensitivity of Maxine Hong Kingston (The Warrior Woman, 1976; China Men, 1980) in her tributes to the abundant heritage of Chinese-Americans.Pub Date: March 22, 1989
ISBN: 0143038095
Page Count: -
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1989
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