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FLEETING MEMORY

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A man with no memory stumbles into his own shaggy dog story.

The narrator of Young’s (Double Cover, 2011, etc.) intricately plotted, frequently hilarious new novel wakes up in a rural cabin with no memory of how he got there or who he is. He shares the cabin with a feisty little dog and a well-dressed man lying dead on the floor with an arrow through his heart—only he’s not really dead; he’s got enough life left in him to whisper to the main character that “the answer lies with Keats.” When our narrator asks “Keats who?” the man heaves one last word, “Cretin,” before dying, leaving our hero to reflect, “He was really dead this time. Really dead and kind of rude.” Before the amnesiac main character can figure out what to do with the body, he gets another visitor—the mystery man Enescu Fleet, an accomplished amateur sleuth and reputed inventor of the phrase “cool beans.” After a little verbal sparring, the main character decides to reveal the dead body to Fleet and seek his counsel—but by that point the dead body is long gone, leaving not even a blood stain. The novel that unfolds from such a feverish, smile-inducing setup repays the promise of its opening many times over. The setting is revealed not only as an Indian casino in Maine but also as the venue of Deadly Allusions, a televised game show in which realistic murders are staged in order to give amateur sleuths a chance to test their deductive abilities. The story’s odd heroes are quickly enmeshed in just such a simulated murder, which quickly complicates with corrupt politicians, shady deals and, of course, actual murder. Young’s narrative dexterity never flags, although occasionally his cleverness gets the better of him (there are many points in the book where the only thing the main character seems to have forgotten is his name—a very convenient kind of amnesia). This novel has more barbs than a Dorothy Parker short story and is every bit as enjoyable. An utterly winning, deceptively smart collection of mishaps, plot twists and grinning one-liners.

 

Pub Date: July 20, 2011

ISBN: 978-1463602017

Page Count: 227

Publisher: CreateSpace

Review Posted Online: Aug. 22, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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GONE GIRL

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...

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A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.

Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.

Pub Date: June 5, 2012

ISBN: 978-0-307-58836-4

Page Count: 432

Publisher: Crown

Review Posted Online: April 22, 2012

Kirkus Reviews Issue: May 1, 2012

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YOU HAD ME AT WOLF

Like a popcorn action flick: fun but lacking in substance.

Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).

Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.

Like a popcorn action flick: fun but lacking in substance.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4926-9775-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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