Mooove along unless you are desperate for more cow tales.
Bessie might not be the best cow at hide-and-seek, but she’s certainly enthusiastic.
One regular day on the farm, Farmer Ted starts counting his herd, but Bessie thinks it’s the start of a game of “cowhide-and-seek.” Her first hiding place (behind a black-and-white cat) moves; “Bessie moooved, too.” Farmer Ted finishes counting his cows and realizes Bessie is missing; where is she? She’s found a somewhat better place to hide, but the ice cream vendor’s cart she ducks behind is, like the cat, smaller than she is. When a little boy points her out, she tries to tell him not to give her hiding place away to Farmer Ted, but he doesn’t understand “Moo.” She finds a truly questionable hiding place behind a soccer ball at a match, but the ref tweets his whistle at her. With each new hiding place, Farmer Ted acquires more helpers; but Bessie stays ahead of him. Can she find the perfect hiding place? Bessie’s “hiding places” in Dillard’s debut are so lacking in concealment that some young listeners might be confused. She is developmentally consistent with very young children, but those old enough to get the joke will have moved on past that moment. Pauwels’ endearing cartoon illustrations almost make up for the confusion. Farmer Ted and most of those who help him hunt are white, but background characters are diverse.
Mooove along unless you are desperate for more cow tales. (Picture book. 3-6)Pub Date: May 7, 2019
ISBN: 978-0-7624-9184-1
Page Count: 32
Publisher: Running Press
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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