Clearly demonstrates the sense of connectedness—to nature, others, and self—that mindfulness practice can bring.

READ REVIEW

MY MINDFUL WALK WITH GRANDMA

A young girl is so excited to share a surprise with her grandmother that she begins their hike together in a distracted rush.

Spending time with Grandma is clearly a joy for the young child. The girl enthusiastically hurries along through the woods, hoping to catch a glimpse of the loons on the lake, but Grandma takes the time to notice the sights and sounds of the forest. She gently reminds her granddaughter that “if we keep looking for there, we will miss what is right here.” The child accepts this invitation to pause. She closes her eyes, stills her body, connects with her breath, and then is able to notice the tiny treasures the forest has to share, like the rustle of leaves and the colorful pop of spring flowers. The quality of this title’s narrative sets it apart in the growing mindfulness-for-children genre. The depiction of a special intergenerational relationship is the clear priority of the story. Rather than using the narrative to instruct readers in mindfulness (this is saved for the backmatter), mindfulness practice is authentically embedded into the interaction between the two characters. The illustrations, awash in green and somewhat nostalgic in styling, complement the narrative and successfully transport readers to a lush forest brimming with life. Both narrator and Grandma present white.

Clearly demonstrates the sense of connectedness—to nature, others, and self—that mindfulness practice can bring. (Picture book. 4-8)

Pub Date: April 1, 2020

ISBN: 978-0-8075-7072-2

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

LOVE MONSTER

Monster lives in Cutesville, where he feels his googly eyes make him unlovable, especially compared to all the “cute, fluffy” kittens, puppies and bunnies. He goes off to find someone who will appreciate him just the way he is…with funny and heartwarming results.

A red, scraggly, pointy-eared, arm-dragging monster with a pronounced underbite clutches his monster doll to one side of his chest, exposing a purplish blue heart on the other. His oversized eyes express his loneliness. Bright could not have created a more sympathetic and adorable character. But she further impresses with the telling of this poor chap’s journey. Since Monster is not the “moping-around sort,” he strikes out on his own to find someone who will love him. “He look[s] high” from on top of a hill, and “he look[s] low” at the bottom of the same hill. The page turn reveals a rolling (and labeled) tumbleweed on a flat stretch. Here “he look[s] middle-ish.” Careful pacing combines with dramatic design and the deadpan text to make this sad search a very funny one. When it gets dark and scary, he decides to head back home. A bus’s headlights shine on his bent figure. All seems hopeless—until the next page surprises, with a smiling, orange monster with long eyelashes and a pink heart on her chest depicted at the wheel. And “in the blink of a googly eye / everything change[s].”

This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

Pub Date: Dec. 31, 2013

ISBN: 978-0-374-34646-1

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 18, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

THE MOST MAGNIFICENT THING

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 26, 2014

Kirkus Reviews Issue: March 15, 2014

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