A nuanced yet plainly told novel about a runaway teen in the 1970s.
A teenager hits the road after her life derails in McGuinn’s literary novel.
When 14-year-old Peg thinks of her future, she hopes it will involve writing and travel—maybe a career in journalism or the Foreign Service. In the journal she’s required to keep for her English class, most of her entries are about her chaste crushes on her male classmates. When a student at a local college invites her to a frat party, she goes only to be drugged and raped by him and several of his friends. The next day, Peg begins to remember what happened, and her entire view of herself changes: “Actually, I’m beginning to have flashes of memory, some of the things I did and let them do to me. I did like it, at least some of it. I’m such a slut. Who will ever want me?” She soon fears that she’s pregnant. She runs away from home, hoping to get to Harrisburg to stay with a friend, but she quickly ends up with an older man named Nick. She stays with him for a while, taking drugs and becoming increasingly codependent, until she realizes that Nick is a pimp with a house full of girls working for him. Peg escapes and resumes her journey, traveling across the country, attaching herself to problematic men, and bouncing through the rest of the 1970s far from home. McGuinn switches between the perspectives of an older Peg looking back on events and the younger Peg who writes in her journal, creating a layered portrait that involves realistic uncertainties: “Time plays tricks on our memories and I didn’t write very much in my journal those days. I was drunk or stoned with Charlie most of the time.” In some ways, the novel is a brutal cautionary tale, showing how one mistake can spiral into a life-changing series of events. In another, however, it is a moving coming-of-age narrative about a girl who discovers herself amid extreme circumstances.
A nuanced yet plainly told novel about a runaway teen in the 1970s.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Durare Publishing
Review Posted Online: April 3, 2020
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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