Who cares? The equation of trucks + bedtime book = best-seller, even if it does set feminism back a few decades.

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GOODNIGHT, GOODNIGHT CONSTRUCTION SITE

From the Goodnight, Goodnight, Construction Site series

A group of construction vehicles put themselves to bed.

Rhyming couplets set the scene (“The sun has set, the work is done; / It’s time for trucks to end their fun”) and then describe their bedtime routines, truck by truck. The crane sets one last beam before settling in, a star-shaped nightlight suspended from his lowered mast and a teddy bear clutched in his stabilizing arms. The cement mixer is hosed down before giving into slumber beneath a much-too-small polka-dot blanket. The dump truck deposits one last load before conking out next to heaps of rubble. As depicted by Lichtenheld, the trucks all have googly windshield eyes and grins that more or less correspond to grilles. They look a lot like Disney Pixar’s Cars, but there are only so many ways to anthropomorphize a truck. He exerts his artistry in other ways; the dump truck’s snores, depicted as a rising stream of ever larger Z’s, float into the night, becoming part of the steel framework of the building under construction. Rinker’s verse does not always scan well, but it is rhythmic enough to carry readers along. It is a real shame that not a single one of these muscular vehicles is female; this employer is clearly not interested in equal opportunity.

Who cares? The equation of trucks + bedtime book = best-seller, even if it does set feminism back a few decades. (Picture book. 2-6)

Pub Date: May 4, 2011

ISBN: 978-0-8118-7782-4

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: March 14, 2014

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It’s gratifying to see Lola’s love of books leading her to new experiences.

LOLA PLANTS A GARDEN

From the Lola & Leo series

Hoping to have a garden like the one in her poetry book, Lola plants seeds, waits and weeds, and finally celebrates with friends.

The author and illustrator of Lola Loves Stories (2010) and its companion titles take their appealing character outside. Inspired by her favorite poem, the nursery rhyme “Mary, Mary, Quite Contrary” (repeated on the front endpapers), Lola chooses her favorite flowers from library books. Helped by her parents, she grows a grandly diverse flower garden, just right for a celebration with peas and strawberries from the family plot. Beardshaw’s acrylic illustrations show her garden in all its stages. They also show the copper-toned preschooler reading on her mother’s lap, making a flower book, a beaded string with bells and shells, a little Mary Mary doll and cupcakes for the celebration. Her bunchy ponytails are redone, and her flower shirt is perfect for the party. Not only has she provided the setting; she makes up a story for her friends. The simple sentences of the text and charming pictures make this a good choice for reading aloud or early reading alone. On the rear endpapers, the nursery rhyme has been adapted to celebrate “Lola, Lola, Extraordinary.”

It’s gratifying to see Lola’s love of books leading her to new experiences. (Picture book. 3-6)

Pub Date: Aug. 5, 2014

ISBN: 978-1-58089-694-8

Page Count: 28

Publisher: Charlesbridge

Review Posted Online: June 10, 2014

Kirkus Reviews Issue: July 1, 2014

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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A quiet, warm look at the bond between grandfather and grandson.

MAX AND THE TAG-ALONG MOON

After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.

This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.

A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)

Pub Date: June 13, 2013

ISBN: 978-0-399-23342-5

Page Count: 32

Publisher: Philomel

Review Posted Online: March 13, 2013

Kirkus Reviews Issue: April 1, 2013

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