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THE 12 SLEIGHS OF CHRISTMAS

This will interest kids who love their vehicles, but the text simply doesn’t take flight.

The author of Goodnight, Goodnight, Construction Site (2011) moves on to a different kind of vehicle with this rhyming story about the invention of alternative sleighs for Santa’s Christmas Eve deliveries.

Just two weeks before Christmas, Santa’s elves discover that his usual sleigh, stored away for a year, has been damaged. The elves decide to hold a contest to build a new sleigh, with Santa choosing the winning entry. Twelve teams are formed, with one new invention revealed over each of the next 12 days. The sleighs are wildly imaginative, with different types of power and similarities to actual modes of transportation. On Christmas Eve, one rebel elf who has worked alone reveals Santa’s original sleigh restored to pristine condition. Santa opts for this traditional choice, so the elves take off on a race with their new inventions. The text uses varying rhyme schemes, starting off well but becoming more difficult to read as the story progresses. Several terminal word pairs do not rhyme correctly, slowing readers down. Busy, bright illustrations capture the intricacies of the unusual inventions and the antics of the elf crew. The elves appear androgynous, some with light skin and some with brown skin; a few have gray hair. Notably, the elf who restores Santa’s beloved sleigh has brown skin; Santa is white.

This will interest kids who love their vehicles, but the text simply doesn’t take flight. (Picture book. 4-7)

Pub Date: Oct. 24, 2017

ISBN: 978-1-4521-4514-3

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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