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THE UPSIDE-DOWN BOY AND THE ISRAELI PRIME MINISTER

Oddball politicians are still sometimes worth celebrating.

Moral: Odd is good.

Daniel loves to walk backward and on his hands. He eats soup for breakfast and cereal for dinner. Why he enjoys this is never explained, and of course it doesn’t need to be explained to any school-age child. But headstands are very bad behavior on a field trip to the prime minister’s house, or at least that’s what his parents and teachers say. So Daniel spends the days before the visit in training, practicing facing forward and sitting up straight. Any school-age child will see where this picture book is going, and they may place bets on when he’ll finally flip upside down. It happens close to the end, as he leans down to pick up a coin from the floor. But two pages later, the prime minister’s assistant is pointing to a photo of David Ben-Gurion, the first prime minister of Israel, upside down on a beach. And by the next page, the assistant is standing on his head, to applause from everyone. Even a parent or teacher might approve of the lesson: Headstands are good training for a future in politics. Unfortunately, the artwork makes the characters (with a few exceptions, light-skinned Israelis) look less free-spirited. Their body language is often stiff or contorted. But the actual historic photo of Ben-Gurion, reproduced on the final page, is whimsical and inspiring. (This book was reviewed digitally with 11-by-18.6-inch double-page spreads viewed at 74.3% of actual size.)

Oddball politicians are still sometimes worth celebrating. (Picture book. 4-9)

Pub Date: April 1, 2021

ISBN: 978-1-5415-3470-4

Page Count: 24

Publisher: Kar-Ben

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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TWINKLE TWINKLE LITTLE KID

Nice enough, but its twinkle is on the faint side.

A boy gets an unusual payoff after wishing on a star.

Sitting outside one night, Clyde notices a lone star in the sky. He recites the “Star light, star bright” incantation and makes a wish. Disappointed when it doesn’t come true, he returns home. But later, while he’s asleep, the star he’d wished on sneaks into his bedroom and makes a wish on him! Startled awake, Clyde wonders how to grant Star’s wish. He shares some ideas (and actual objects) with her: a game of checkers, tent camping, tossing a Frisbee, and walkie-talkies. Star likes them, but they’re not her wishes; Clyde confides there’s no one to enjoy them with—and wonders if perhaps Star had wished for a friend. No one will be surprised at what Clyde next confesses to Star. The pair winds up playing together and becoming besties. This is a sweet but thin and predictable story about making friends. Still, readers will appreciate meeting feisty, celestial Star. The author reaches for humor using colloquialisms (“freaked out”), and kids will like the comfortable familiarity that develops between the cheery protagonists. The colored-pencil illustrations are rendered in a limited palette of mostly dark blues and purples, appropriate to the nighttime setting. Star is a luminous, pale yellow with a white topknot and has a star-dappled aura around her. Purple-pj’d Clyde wears bunny slippers and presents White. (This book was reviewed digitally.)

Nice enough, but its twinkle is on the faint side. (Picture book. 4-7)

Pub Date: Aug. 3, 2021

ISBN: 978-0-399-17132-1

Page Count: 40

Publisher: Philomel

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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WAY PAST MAD

In a crowded subgenre, this offering is unnecessary.

Anger at a sibling gets taken out on a friend.

Protagonist Keya fumes when younger brother Nate gives Keya’s cereal to the dog and cuts holes in Keya’s favorite hat. Keya stomps outside. Hooper, Keya’s friend, offers a cheerful greeting, but Keya darts away. A fantasy race ensues, briefly cathartic, but Keya’s temper explodes after a knee-scraping tumble. Keya bursts out, “I don’t like you, Hooper.” It’s not true, of course, and they make up after a sweetly responsible apology. Aside from twice waxing poetic (“The kind of mad that starts / and swells / and spreads like a rash”), Adelman’s prose is dull and declarative (“Then we joked and laughed. I was so happy”). Keya and her family present white and Hooper, black. Keya’s glorious, lively black curls are de la Prada’s best visual. Many illustrations are too uniformly saturated, with the composition offering no clear place to focus. A “gold medal like sunshine” that Keya wins in the imagined race is barely visible. In a critical misstep for a book for fostering emotional literacy, narrator Keya says Hooper looks “way past mad”—echoing an earlier description of Keya—while the illustrations clearly show him as hurt, not angry. Choose Tameka Fryer Brown and Shane Evans’ My Cold Plum Lemon Pie Bluesy Mood (2013) or Judith Viorst and Ray Cruz’s classic Alexander and the Terrible, Horrible, No Good, Very Bad Day (1972) instead.

In a crowded subgenre, this offering is unnecessary. (Picture book. 4-8)

Pub Date: March 1, 2020

ISBN: 978-0-8075-8685-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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