Next book

VOICES OF THE ALAMO

This picture book of history-through-poems follows on the heels of Garland’s novel, A Line in the Sand (1998, not reviewed), an intimate portrait of a girl’s experience during the Alamo. The pages are fewer but the coverage is broad: Garland offers a sweeping view of the events that led up to and followed the pivotal battle. Every milestone is described, from the year 1500 onward, through the voices of the participants. Particularly moving is the prose-poem about a Mexican peasant who was dragged from his farm, marched endless miles through rugged terrain and forced to join El Presidente’s army. The text leaps through history, briefly introducing the people whose roles helped shape the land, from the indigenous population and the conquistadors, to the mission padres and North American settlers. The narrative lingers, though, over the “Texian” struggle with Mexico, the devastating 13-day siege at the Alamo and eventual independence. The 100-year jumps are initially confusing, but the author successfully conveys an epic view of a land and its history. A detailed note provides facts left out of the narrative, while Himler’s engrossing watercolors draw readers into this true tale of struggle over rights and territory. (glossary, bibliography, further reading) (Picture book. 7-12)

Pub Date: March 1, 2000

ISBN: 0-590-98833-6

Page Count: 40

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2000

Categories:
Next book

THE LEGEND OF THE LADY SLIPPER

AN OJIBWE TALE

Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)

Pub Date: March 1, 1999

ISBN: 0-395-90512-5

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

Categories:
Next book

OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

Categories:
Close Quickview