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FAMILY SECRETS

ONE WOMAN'S AFFECTIONATE LOOK AT A RELATIVELY PAINFUL SUBJECT

A moving, ribald, and vulnerable take on a family and a life. In Glaser's one-woman show, the Off-Broadway hit Family Secrets, she performs a series of monologues (written with her husband) in which she plays characters based on members of her family. She incorporates many of those pieces into this memoir. The result is a compelling autobiography rendered in two genres; Glaser is funny, painfully raw, and honest in both. She takes on difficult subjects—her bulimia, both her mother's and her grandmother's mental illnesses, her father's emotional distance, her troubled pill-popping adolescence, and uncomfortable physical closeness with male relatives. The performances become a part of her life story as she describes the pain and rewards of assembling them, of putting her life onstage. We also hear about what has been going on behind the scenes—Glaser has a baby and an abortion, her marriage almost falls apart, and her mother has another breakdown. Sometimes the juxtaposition of memoir and performance is confusing; in the memoir, her grandmother is presented as a selfish and miserable woman, while in the performance piece reprinted in the book, she's a likable and complex character who very much resembles Glaser herself. The memoir is not always as strong as the fictionalized monologues. For one thing, it lacks their economy; Glaser's writing can be self-indulgent. Furthermore, the memoir has more New Age spiritual and therapeutic jargon than the performance. Its hostility to mother figures is more open, too, as is a tone of self-pity; in the monologues, these tendencies are overwhelmed by the inherently—indeed extraordinarily—empathic impulse behind the project of physically dressing up as members of her own family. But despite some roughness, this work is affecting and insightful about both family and the artistic process.

Pub Date: Jan. 31, 1997

ISBN: 0-684-83023-X

Page Count: 192

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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