Enticing plot, winning dialogue and genuine historical backdrop, as befits a Regency romance.

MERELY A MISTER

AN AVALON HISTORICAL ROMANCE

In Ferguson’s (Major Lord David, 2010, etc.) latest historical romance, an ailing lord falls in love with the woman who restores him to health.

After the loss at Waterloo, Myles Trent—Lord Hayden—takes refuge at Lake Como, his European tour cut short by the fevers that periodically rack his body. His constitution depleted, Myles is determined to return home as soon as possible. En route, he takes ill and recuperates in the village of Wiswood at the countryside home of Anne Whyte, master herbalist and healer. Although Anne’s patient has the appearance of a gentleman, Anne knows him only as “Mister Myles.” During Myles’ convalescence, the two flirt and come to know one another; Lord Hayden’s identity remains unknown to both Anne and her father. A local, Perry Wenfield, hopes to wed Anne, but she rebuffs his advances. Myles, growing ever more enamored, resents Wenfield’s presence in her life. Soon, Myles is well enough to return to his obligations in Braughton, which may include seeking a proper wife from the Birdwistle clan. But will Lord Hayden honor his heart or familial duty? This is an enchanting story, set shortly after Napoleon’s exile to St. Helena. True to Avalon form, heroine Anne is independent; she is accomplished in her use of remedies, with a library of texts and a garden full of herbs for her concoctions. She masterfully prescribes horehound drops for the throat, rosewater compresses for a feverish brow and valerian for sleep. Best friend Vera serves as a touchstone, helping a subdued Anne give voice to her growing feelings for Myles and her doubts that she is his equal in station. Although proud, Myles is at Anne’s mercy in more ways than one, and his extended convalescence provides ample time for mutual affection, respect and admiration to flourish at a steady pace. The narrative has an authentic period feel, with a well-developed subtext about discontent among farmers after the Napoleonic Wars; this undercurrent is artfully used to advance relations between Anne and Myles. The verbal exchanges between these two gentlefolk are a mix of subtlety and spark, and a pleasure to read.

Enticing plot, winning dialogue and genuine historical backdrop, as befits a Regency romance.

Pub Date: Feb. 7, 2012

ISBN: 978-0803474611

Page Count: 186

Publisher: Avalon Books

Review Posted Online: June 7, 2012

Kirkus Reviews Issue: July 15, 2012

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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IT STARTS WITH US

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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