by Shinsuke Yoshitake ; illustrated by Shinsuke Yoshitake ‧ RELEASE DATE: Sept. 26, 2017
This hilarious, inspirational, and infinitely familiar story about greeting life’s inconveniences with good humor will make...
A child dreams of conquering the world even when clothing proves tricky in this Japanese story translated into English.
It’s bathtime, and the stubborn protagonist insists on getting undressed without any help from Mom. But, as anyone who spends time with young children knows, shirts are notoriously difficult to take off. The young, light-skinned narrator gets stuck in the bright yellow shirt, unable to see, arms hopelessly entangled. The kid becomes quickly resigned to the inevitable, even optimistic: “I was sure lots of important people had been stuck before,” the child muses in front of an imagined, admiring crowd, the pulled-up, inside-out shirt exposing a pink belly. The challenges of being stuck in a shirt are addressed and overcome. “But what if I got thirsty? / I would find a way”: an extra-long straw. The child starts thinking about the friendships that could be formed with other children stuck with their shirts over their heads and dreams of summiting a mountain—“But then I got cold.” The child valiantly tries self-extrication again, hoping that wriggling out of their pants will help (it doesn’t). Mom finally comes to the rescue, hauling our protagonist off to the tub, a few cheeky butt cameos rounding out the humor. Throughout, Yoshitake uses cartoon conventions to great effect, multiple legs indicating frantic scrabbling, motion lines futility and frustration.
This hilarious, inspirational, and infinitely familiar story about greeting life’s inconveniences with good humor will make adults and children alike giggle. (Picture book. 2-7)Pub Date: Sept. 26, 2017
ISBN: 978-1-4197-2699-6
Page Count: 32
Publisher: Abrams
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: June 27, 2013
A comical, fresh look at crayons and color
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Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color . (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
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SEEN & HEARD
by Christopher Silas Neal ; illustrated by Christopher Silas Neal ‧ RELEASE DATE: March 27, 2018
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
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