by Shinsuke Yoshitake ; illustrated by Shinsuke Yoshitake ‧ RELEASE DATE: May 6, 2022
A message to savor, delivered with a light touch and contagious glee.
If possessions don’t bring joy, what good are they?
With unfeigned, unreserved delight, a child imagines all the things they might do with a chance-found rubber band. “This is my rubber band!” they proclaim. Not only can the child keep it for themselves, but they can wear it, bundle up future love letters or “all the bad people in the world,” drive off invading aliens, fly away to visit distant lands, and much else besides. This leads to ruminations about how everyone has or is forever searching for things to keep and value—big thoughts that suddenly come to an end when the rubber band breaks. Again humorously plumbing philosophical depths just hinted at by a brief text and minimally detailed art, the author of The Boring Book (2019) and There Must Be More Than That! (2020) takes readers on a journey that illuminates both a child’s fertile imagination and our own understanding of what does, or should, matter in life. This small, cute child—their delicately drawn face, like those of their family and others in the pictures, left uncolored—shows a healthy sense of priorities, too, as after a quiet moment of surprise, they leave the broken rubber band behind to search out a new spark for their dreams and adventures: “Mommy! Mommy! Can I have this paper clip?” (This book was reviewed digitally.)
A message to savor, delivered with a light touch and contagious glee. (Picture book. 5-7)Pub Date: May 6, 2022
ISBN: 978-1-79721-492-4
Page Count: 52
Publisher: Chronicle Books
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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by Shinsuke Yoshitake ; illustrated by Shinsuke Yoshitake ; translated by Ajani Oloye
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Jay Fleck
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by Trudy Ludwig ; illustrated by Patrice Barton ‧ RELEASE DATE: Oct. 8, 2013
Accessible, reassuring and hopeful.
This endearing picture book about a timid boy who longs to belong has an agenda but delivers its message with great sensitivity.
Brian wants to join in but is overlooked, even ostracized, by his classmates. Readers first see him alone on the front endpapers, drawing in chalk on the ground. The school scenarios are uncomfortably familiar: High-maintenance children get the teacher’s attention; team captains choose kickball players by popularity and athletic ability; chatter about birthday parties indicates they are not inclusive events. Tender illustrations rendered in glowing hues capture Brian’s isolation deftly; compared to the others and his surroundings, he appears in black and white. What saves Brian is his creativity. As he draws, Brian imagines amazing stories, including a poignant one about a superhero with the power to make friends. When a new boy takes some ribbing, it is Brian who leaves an illustrated note to make him feel better. The boy does not forget this gesture. It only takes one person noticing Brian for the others to see his talents have value; that he has something to contribute. Brian’s colors pop. In the closing endpapers, Brian’s classmates are spread around him on the ground, “wearing” his chalk-drawn wings and capes. Use this to start a discussion: The author includes suggested questions and recommended reading lists for adults and children.
Accessible, reassuring and hopeful. (Picture book. 5-7)Pub Date: Oct. 8, 2013
ISBN: 978-1-582-46450-3
Page Count: 40
Publisher: Knopf
Review Posted Online: Aug. 20, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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