A retelling based on three of the ``half a dozen'' Korean Cinderella variants: ``Pear Blossom's'' stepmother calls her ``Little Pig,'' barely feeds her, and assigns her impossible tasks (filling a cracked jug), but the girl is helped by magical animals (a giant ox that weeds a rice paddy for her). A young magistrate, ``struck by her beauty,'' identifies her at a village festival by her lost sandal, and thus she makes an honorable marriage. The simple tale is retold in a vigorous, rather dramatic style. Heller, whose illustrations are based on her research in Korea, offers bold montages of figures and patterns in a striking array of intense colors. Her facial expressions are less expertly crafted than her realistic animals, sculptural draperies, and decorative traditional motifs, while the mix of styles leads to some cluttered effects; still, an attractive setting for a worthy variant. (Folklore/Picture book. 5-8)
Pub Date: May 30, 1993
ISBN: 0-06-020432-X
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
In this rollicking remake of the classic tale, an inventor cobbles together a robot to clean his cluttered workshop, then incautiously leaves the schematics where his new ``apprentice'' can find them. Setting the inventor's lab in a seedy industrial neighborhood, Dewan (Top Secret, p. 140, etc.) festoons it with enticing junk that hovers right on the edge of recognizability, paying tribute to Dukas's century-old scherzo with backgrounds of intertwined electronic diagrams and musical notations. About to be vacuumed into components by a menacing rank of near-clones, the stubby apprentice, resembling nothing so much as an old canister-style Hoover, is rescued by its maker with a mighty blast of electricity, then affectionately led off for a ``nice hot cup of oil.'' It's a memorable take, capped by a rousing robot cheer: ``1, 2, 4, 8, We were made to duplicate.'' (Picture book. 5-8)
Pub Date: March 1, 1998
ISBN: 0-385-32537-1
Page Count: 32
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 1997
A storybook with echoes of Frances Hodgson Burnett—absentee parents, a lonely girl, an orphan who blossoms while working in a garden, children who meet clandestinely, away from the governess's eyes—from Hughes, who illustrated an edition of The Secret Garden: all the elements of an old-fashioned read, but precious and out-of-date. This lengthy fantasy is set in Italy in the early part of this century, where Valerie is guarded by her governess. Her father tends the hotels and restaurants he owns; her mother lives for parties. After Valerie communes with a statue of a boy on a dolphin, the boy comes to life, taking the name Cherubino and revealing himself to be the son of a sea god. Disgusted by the conditions of the seaside, Cherubino leaves to take his place as a god of the sea, but he and Valerie are certain they will meet again. Hughes's illustrations of Italian architecture and landscapes are delightful, but children may not be engrossed by the travelogue-style descriptions: ``a great, white palace set among palm trees and lush foliage, its domes and pinnacles melting into the blue haze.'' An obvious labor of love, the story has so many disparate components—Valerie's solitude, Cherubino as a stranger to be shunned, an ecological message about the cluttered seaside, romance, enchantment—that readers can't settle into it, or even believe in the connection between the two children. (Fiction. 5-8)
Pub Date: April 1, 1997
ISBN: 0-688-14597-3
Page Count: 64
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
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