TUKO AND THE BIRDS

A TALE FROM THE PHILIPPINES

Birdsong lulls the people on the isle of Luzon to sleep each night, because the birds practice their music in an abandoned house atop Mount Pinatubo and the evening breeze carries the sweet noise down. Haribon the eagle is too large to fit inside the house, so he lingers outside to enjoy the music. Until a lizard arrives. “I am Tuko the gecko, and I’ve come to sing,” the lizard says. But Tuko’s song is far from pleasant, and his very presence makes the birds unable to open their mouths. So Haribon sets to work. His first effort—offering Tuko a goodbye present—fails, but then the eagle comes up with a brilliant idea, comprised of sticky tree sap sculpted into the shape of beetles. If the plan succeeds, perhaps Tuko will go back where he belongs! Climo’s text makes the most of Tuko’s overbearing obnoxiousness, his braying TUKOs rendered in an upper-case shout that invites audience participation. Mora’s softly colored realistic watercolors nicely complement this laugh-worthy story of innovation and trickery. (glossary, author’s note) (Picture book/folklore. 5-10)

Pub Date: May 1, 2008

ISBN: 978-0-8050-6559-6

Page Count: 40

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2008

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow,...

MY NEW FRIEND IS SO FUN!

From the Elephant & Piggie series

Can Gerald and Piggie’s friendship withstand the friendly overtures of Brian Bat?

When Snake informs Gerald that Piggie is playing with Brian Bat, he is at first complacent. Brian is “nice,” he observes; Snake concurs—after all, he says, “Brian is my Best Friend!” Their mutual reflection that Piggie and Brian “must be having a super-duper fun time!” turns, however, to paranoia when they realize that if their best pals “are having that much fun together, then… / …maybe they do not need us” (that last is printed in teeny-tiny, utterly demoralized type). Gerald and Snake dash/slither to put an end to the fun. Their fears are confirmed when the two new buddies tell them they have “been playing BEST FRIEND GAMES!”—which, it turns out, means making drawings of their respective best friends, Gerald and Snake. Awww. While the buildup to the friends’ confrontation is characteristically funny, there’s a certain feeling of anticlimax to the story’s resolution. How many young children, when playing with a new friend, are likely to spend their time thinking of the friends that they are not playing with? This is unfortunate, as the emotions that Gerald and Snake experience are realistic and profound, deserving of more than a platitudinous, unrealistic response.

Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow, color-coded speech bubbles, hilarious body language—except an emotionally satisfying ending. (Early reader. 6-8)

Pub Date: June 3, 2014

ISBN: 978-1-4231-7958-0

Page Count: 64

Publisher: Hyperion

Review Posted Online: May 4, 2014

Kirkus Reviews Issue: May 15, 2014

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