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ALLIE, THE CHRISTMAS SPIDER

With her charming illustrations of a world populated entirely with rabbits, Kneen (Mouse Tail Moon, p. 1479, etc.) succeeds in elevating this rather pedestrian version of an old tale to a higher level. In her first work for children, Menendez weaves a story of a spider named Allie who takes up residence in a rabbit family’s comfortable home. The family is getting ready for Christmas, which the parents emphasize must be a simple celebration this year due to their finances. They trim their tree with homemade decorations and popcorn garlands and under the tree there is just one present for each parent and a Mommy-made doll for their little girl. The illustrations make the family’s Christmas preparations look cozy and pleasant, so the story’s only problem is that there aren’t quite enough gifts or quite enough decorations. To repay the kindness of the rabbit, Allie the resident spider adds sparkling spider-web garlands to the Christmas tree to surprise the family. These lacy spider-web decorations are reproduced with silver glitter on several pages and on the cover, adding a subtle shine. The rabbit family is duly impressed with their Christmas surprise, and on the final page, Allie the spider lays some eggs as she thinks about her next “art project.” The illustrations of the appealing rabbits are the work’s saving grace: the gentle brown rabbits with shining eyes and luminous pink ears invite readers into their world. For a better spin on the origin of tinsel, try Shirley Climo’s Cobweb Christmas (2001). (Picture book. 4-8)

Pub Date: Sept. 1, 2002

ISBN: 0-525-46860-9

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2002

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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